This year, the fourth International Wimbledon Music Festival will take place from 10 to 25 November in venues around Wimbledon. Last year's festival, with its performance of Britten's Noyes Fludde will be a hard act to beat but there are some strong contenders in this year's festival. 23 events around the theme of 'A Music World Fair'.
Both Christine Brewer and Mark Padmore are giving recitals, with Brewer performing Wagner's Wesendonck Lieder and Padmore giving us Schubert's Schwannengesang and Beethoven's An die ferne Geliebte.
Cristina Ortiz is giving a lunch-time piano recital, performing Debussy and Villa-Lobos. Pianist Mikhail Rudy returns to the festival to play his own arrangement (for solo piano) of Stravinsky's four stave version of Petrushka. To accompany this there will be a production of the ballet by puppets from the Little Angel Theatre, accompanied by projections to make a fascinating total project.
Another theatrical experience is Jessica Duchen's play A Walk Through the End of Time, which explore the making of Messiaen's Quator pour la Fin du Temps. Then the next day, the Nash Ensemble will be performing Messiaen's quartet. And finally, the cellist Anita Lasker-Wallfisch, herself a survivor of Auschwitz, will tell the story of the Women's Orchestra of Auschwitz.
And in another nice link, Anita Lasker-Wallfisch's grandson, the composer Benjamin Wallfisch has been commissioned by the festival to produce a work inspired by the French artist Arman. The commission is a joint one between Wimbledon and three other festivals which it has developed creative partnerships with, the Martinu Festival in Basel, the Pro Musica Festival in El Paso, Texas and the Sitka Summer Music Festival in Alaska.
The festival opens on Saturday 10th Novembers with a concert by the Academy Choir and Baroque Orchestra conducted by Andrew Edwards. The programme of Purcell includes Celebrate this Festival, O let me weep and Come ye sons of art plus Dido and Aeneas with Susan Bickley as Dido, Malin Christensson as Belinda and Njabolo Madlala as Aeneas, plus counter-tenor Robin Blaze.
Friday 25 May 2012
Subscribe to:
Post Comments (Atom)
Popular Posts this month
-
Septura I first became aware of the brass septet, Septura , when noting their 2017/18 concert series Kleptomania at St John's Smith...
-
Britten: Death in Venice - Tim Mead, Leo Dixon - Royal Opera ((c) ROH 2019 photographed by Catherine Ashmore) 2019 seems to have b...
-
Ben Goldscheider Jörg Widmann, Beethoven, Schumann, Huw Watkins, York Bowen; Ben Goldscheider, Richard Uttley; Wigmore Hall Reviewed 17 Marc...
-
National Youth Orchestra of Great Britain, Jessica Cottis Catalyst : Coleridge-Taylor, Julius Eastman, Gavin Higgins, Dani Howard, Prokofiev...
-
Thomas Elwin as Lensky in Tchaikovsky's Eugene Onegin at West Green House Opera in 2021(Photo: Matthew Williams-Ellis) West Green House...
-
The Afghan Youth Orchestra On Thursday 7 March 2024, the Afghan Youth Orchestra makes its debut at the Southbank Centre at the start of its ...
-
Bizet: Carmen, Act One - Blaise Malaba, Aighul Akhmetshina - Royal Opera House (Photo: ROH/Camilla Greenwell) Bizet: Carmen ; Aigul Akhmets...
-
Listening to the sublime closing duet of Monteverdi’s L’Incoronazione di Poppea it is perhaps difficult for us to accept that this music ...
-
Norwich Cathedral Organ (Photo: Bill Smith/Norwich Cathedral) From an epic concert featuring three Cathedral Choirs to the ‘Battle of the Or...
-
Mural: chamber music by Gabriel Vicéns; Stradivarius Reviewed 15 April 2024 At times fierce and concentrated, Gabriel Vicéns music can evok...
This comment has been removed by a blog administrator.
ReplyDelete