Sunday, 19 September 2010
New Gabriel Jackson
Labels:
music news,
preview
Gabriel Jackson has a new piece being premiered by Red Note to open the 6th sound Festival in Aberdeen. Jackson's new work for strings is a joint commission from the Scottish contemporary music ensemble Red Note and sound festival. Jackson's piece is being given in a fascinating programme which includes Adams Shaker Loops and Gavin Bryars' Jesus Blood Never Failed Me Yet. The programme debuts in Aberdeen and then tours to Glasgow and Edinburgh. For those people living in the area, it will be a fascinating pairing of iconic pieces along with a welcome chance to hear Jackson in non-vocal mode.
Subscribe to:
Post Comments (Atom)
Popular Posts this month
-
Wagner: Das Rheingold - Deutsche Oper Berlin (Photo: Bernd Uhlig) Wagner: Der Ring des Nibelungen ; director: Stefan Herheim, conductor: Sir... -
Alexander James Edwards The tenor Alexander James Edwards has popped up on this blog over the years, whether it be singing Pollione to ... -
Mozart's The Marriage of Figaro in rehearsal - Ellie Neate, Danielle de Niese, Jack Sandison - Wild Arts (Photo: Anastasia Tikhonova) W... -
Creative Minds in Song (2023) In this guest posting pianist Gavin Roberts, artistic director of Song in the City, introduces Creative Minds... -
Mozart: Le nozze di Figaro - Andrey Zhilikhovsky, Masabane Cecilia Rangwanasha, Louise Alder, Alex Esposito - Royal Opera House (Photo: Mi... -
Neil Gaiman I had been looking forward to Neil Gaiman's 'The truth is a cave in the Black Mountains' at the Barbican Hall, ... -
Mozart: The Marriage of Figaro - Timothy Nelson, Ellie Neate, Elinor Rolf Johnson - Wild Arts (Photo: Lucy Toms) Mozart: The Marriage of F... -
Smetana Dalibor ; Dana Burašová, Ivan Kusnjer, Alžběta Poláčková, Richard Samek, BBC Singers, BBC Symphony Orchestra, Jiři Bělohláv... -
The BBC Proms, the world’s largest classical-music festival, salutes the USA in this year’s edition marking 250 years since the signing of t... -
Wagner: Rienzi - Last scene of Act3 at the Théâtre Lyrique, Paris in 1869 In a series of essays I will be looking at the influence of th...
No comments:
Post a Comment