Last night's Salomon Orchestra concert was up to their usual high standard. They were conducted by Nicholas Collon, a talented young man who has only just graduated but seems to have got a significant amount of experience under his belt already.
Lalo's overture to Le Roi d'Ys was a wonderfully full blooded way to start the evening and the work's climax was such that you longed to find out how the opera continued. Fiona McNaught was an equally young soloist in Prokofiev's 1st Violin concerto. A surprisingly lyrical piece, it was certainly a contrast to the bombastic Lalo. Though it took a little time to settle, the performance was expressive and nicely judged.
Finally, of course, Berlioz's Symphonie Fantastique. Frankly my favourite bits were the final 2 movements, partly because the climaxes were so shattering in the relatively small auditorium at St. Johns, Smith Square. Also, it was fun watching all the percussion players mobilising for their various tasks - including the multi-player percussion bits.
But, of course, the orchestra does not just do loud and the earlier movements were equally entrancing with some fine cor anglais playing in the 3rd movement.
Collon used a slightly unusual orchestral layout, with 1st violins to the left, 2nd violins to the right, violas in between them and cellos strung out across the back. The 2 harps were placed one either side. I know that Berlioz had distinct ideas about the layout of the orchestra for this piece, so I need to do some research to find out if this layout relates to Berlioz's.
The orchestra's next concert is on Tuesday 9th October when they do another orchestral showpiece, Ravel's orchestration of Mussorgsky's Pictures at an Exhibition
Wednesday, 23 May 2007
Subscribe to:
Post Comments (Atom)
Popular Posts this month
-
What about blowing the box to pieces: composer Eímear Noone on writing for video games, films and TVEímear Noone (Photo: Andy Paradise) Dublin and LA-based composer Eímear Noone is known for her scores for video games, films and TV. She re...
-
Georges Bizet's Les Pêcheurs de Perles ; Julie Fuchs, Cyrille Dubois, Florian Sempey, L'orchestra nationale de Lille, Alexandre ...
-
Britten: Peter Grimes - Nicky Spence - Welsh National Opera, 2025 (Photo: Dafydd Owen) Britten: Peter Grimes; Nicky Spence, Sally Matthews,...
-
Mozart: Le Nozze di Figaro - Sarasota Opera, 2025 - (Photo: Robert Millington for Sarasota Opera) Mozart: Le nozze di Figaro , Verdi: Stiff...
-
Bach: Liebster Jesu, mein Verlangen - Olivier Stankiewicz, Lucy Crowe, ensemble led by Maria Włoszczowska - Wigmore Hall (taken from live s...
-
Libertas : Beethoven, Schubert, Beach, Marx; Äneas Humm, Doriana Tchakarova; Rondeau Production Reviewed 19 April 2025 The young Swiss barit...
-
Prokofiev: Suite from Semyon Kotko - Vladimir Jurowski, London Philharmonic Orchestra - Royal Festival Hall (Photo: Marc Gascoigne) Prokof...
-
Natalie Burch, James Way and Annemarie Federle at St Mary's Parish Church, Haddington where their recording of Britten's Canticles ...
-
Sunwook Kim & Chamber Orchestra of Europe - Barbican Centre (Photo: Ed Maitland-Smith/Barbican Centre) Anna Clyne: Stride , Beethoven: P...
-
The first page of Mozart's autograph score of the Requiem Mozart: Symphony No. 35 , Requiem, Bruckner, Rheinberger; Hannah Dienes-Willia...
No comments:
Post a Comment