Rupert Christiansen has an interesting piece over at the Telegraph. He comments on the fact that there is little that is English or National about ENO, neither their repertoire nor their performers.
His list of major English operas which they have not staged makes interesting reading, 'King Arthur, The Yeomen of the Guard, The Pilgrim’s Progress, Troilus and Cressida, Albert Herring or A Night at the Chinese Opera'. To this I would add the operas which were once popular and which deserve some sort of investigation, both Ivanhoe and The Immortal Hour had significantly long runs when first produced, and surely The Wreckers deserves another go, particularly as there is now a new translation (the libretto was written in French) which removes some of the major infelicities. Also to this list we ought to add Goldschmidt's Beatrice Cenci.
Many years ago, ENO had a programme of doing quick and dirty revivals of operas which would not otherwise be done, Rienzi was done in this way. Could we not surely have a similar scheme to put some of our English operas before the public.
His other complaint is that the company does not nurture native talent. Their young artists programme ought surely to be more firmly slanted towards UK singers rather than being indifferent to their origins - a laudable intention, but one which I think is a rather doubtful one when you are talking about the training programme of our National opera.
One of the regrets of recent years is the the short lived previous regime, for all its faults (both actual and perceived) seemed to be taking the English National role a little more seriously. But the current management seem to have dropped all of Sean Doran's ideas, whether good or bad.
Tuesday, 15 September 2009
Subscribe to:
Post Comments (Atom)
Popular Posts this month
-
What about blowing the box to pieces: composer Eímear Noone on writing for video games, films and TVEímear Noone (Photo: Andy Paradise) Dublin and LA-based composer Eímear Noone is known for her scores for video games, films and TV. She re...
-
Lehár : The Merry Widow - Alex Otterburn, Henry Waddington - Scottish Opera (Photo: Mihaela Bodlovic) Lehár: The Merry Widow ; Paula Sides,...
-
Gimnazija Kranj Symphony Orchestra I get all sorts of mail, people sending my information on concerts and recordings. Everything gets gl...
-
Gilbert & Sullivan: Trial by Jury - Jamie MacDougall - Scottish Opera (Photo: Mihaela Bodlovic) Gilbert & Sullivan: Trial by Jury ,...
-
Rameau: Les Indes Galantes - Andreas Wolf, Cappella Mediterranea, Chœur de chambre de Namur, Structure Rualité, Leonardo García-Alarcón - T...
-
Purcell: Dido & Aeneas - Joshua Saunders as Aeneas with the Witches - Guildhall School (Photo: David Monteith-Hodge) Purcell: Dido and...
-
Johann Strauss: Die Fledermaus - The Grange Festival (Photo: © Richard Hubert Smith) Johann Strauss: Die Fledermaus ; Sylvia Schwartz, And...
-
Edward Gardner & Royal Academy of Music Symphony Orchestra - Aldeburgh Festival (Photo: Britten Pears Arts) Daniel Kidane: Sirens , Mark...
-
Handel: Saul - Soraya Mafi - Glyndebourne Opera (Photo: Glyndebourne/ASH) Soprano Soraya Mafi is currently singing the role of Michal in H...
-
Silhouette of the clarinettist Anton Stadler For whom Mozart wrote the Clarinet Quintet David Gow, Beethoven, Shostakovich, Mozart; Peter Ci...
Hey, a fellow composer on blogspot! I really found your blog interesting. It complements my blog well, so why don't we follow each other? It would help both of our sites. Happy blogging!
ReplyDelete