Its seems that the V&A plans to disperse its musical instrument collection. One of the advantages of major museum like the V&A having a collection of instruments is the serendipity of it, people can wander in without having planned to see them. I can well remember my childhood visits to the museum and being delighted at being able to see and hear the instruments. Also, as a museum of decorative arts, the instruments themselves are often of decorative interest as well. Gems include Elizabeth I's Virginals, a recorder (of ivory and tortoiseshell) which belonged to Rossini and two pianos owned and decorated by Burne-Jones.
The gallery is in need of refurbishment and I imagine that the collection itself might require a bit of investment. Instead of doing this, they plan to move part of the collection to the Horniman Museum (which has an excellent collection already), with the rest either going into store or being placed with other museums. This is on a par with the other reference collections in the museum, which generally seem to be either being played down or put into storage. The V&A is frankly running out of space and their drive to modernise and include more contemporary decorative arts, whilst entirely worthy, is meaning that bits and pieces are being squeezed.
The Horniman Museum is an entirely loveable and admirable institution, but it already has an overflowing collection of musical instruments (including its own holdings as well as the Dolmetsch collection). Also, it is in South East London, hardly well placed to attract lots of tourists. We need a musical collection in one of the National Museums.
The problem is that, in a museum of Decorative Arts, the musical instrument gallery looks a little out of place. You can understand collections of lace, pottery or iron-work. But the interest in the musical gallery was never completely decorative. In stead of bemoaning the instruments removal from the V&A perhaps we should be campaigning for their home in another more suitable museum. How about the Theatre Museum, oh I forgot, the V & A canned that one as well and have an etiolated version at South Kensington. Perhaps the Tate should make space for the gallery in their latest carbuncle at Bankside.
Tuesday, 19 January 2010
Subscribe to:
Post Comments (Atom)
Popular Posts this month
-
Du Yun & Royce Vavrek: Angel's Bone - English National Opera at London Coliseum [Photo: Tristram Kenton] Du Yun & Royce Vavrek...
-
Charpentier: David and Jonathan - Harun Ellis Tekin, Tom Lilburn - New Sussex Opera [Photo: Colin Chapman] Charpentier: David and Jonathan...
-
Purcell: Dido & Aeneas - Michael Lafferty, Samantha Price - English Touring Opera [Photo: Richard Hubert Smith] Elena Langer: Ariadne ...
-
Halévy: La Dame de Pique - Gothic Opera at Battersea Arts Centre [Photo: Craig Fuller] Fromental Halévy: La Dame de Pique ; Grace O’Malley,...
-
Gluck: Orpheus & Eurydice (Dance of the Blessed Spirits) - Louis T Partridge & Angus Bartlett - English Touring Opera [Photo: © Ri...
-
Wexford Festival Opera has announced its 2027 programme. Artistic director Rosetta Cucchi's theme for next year is a tribute to the extr...
-
Charles-Aimable Battaille as André Roskow in Fromental Halévy's La Dame de Pique at the Opéra Comique in 1850 Gothic Opera’s production...
-
Ambroise Thomas: Hamlet - Malachy Frame, Ruari Bowen, Jacques Imbrailo, Jonathan Cole-Swinard, Jay Broadhurst, Grace Durham, Richard Wiegol...
-
Tchaikovsky: Eugene Onegin ,Act Two, scene one - John Brancy as Eugene Onegin, Caspar Singh as Lensky & chorus - Opera North [Photo: Jam...
-
Pianist Zubin Kanga returns to the Southbank Centre on 17 October 2026 with a host of premieres in a double bill of Ghost in the Machine...
No comments:
Post a Comment