We went to see the Sixteen performing Handel's Saul on Tuesday (a review will appear eventually). It started at 6.30pm (!) and finished just after 9.30pm. I know that some people like early starts, but I still feel that 6.30pm is too early for a weekday when people work until 5.30pm. Especially as the Barbican's door policy is so haphazard. A few weeks ago D. was late for a concert (early start again) and was kept outside until the interval, despite suitable gaps and despite there being people let in. On Tuesday we received an email saying very firmly that there would be no late entry, D. was late as he worked until 6.00pm, but there were still people being let in late.
Could we please have a coherent and consistently applied door policy please. And if concerts start at 6.30pm could there be a decent reason, i.e. substantial length.
What was even more stupid on Tuesday was the the performance co-incided with Opera North in the Barbican Theatre performing Queen of Spades. This started at the normal time and the 2nd interval co-incided with us leaving Saul, so the opera goers were going to be finishing far later than Saul.....
Incidentally we bumped into a friend on leaving Saul and had a hilarious cross-purposes conversation where we each talked about the performance and compared notes, until we realised that one had been listening to Handel and the other Tchaikovsky!
Subscribe to:
Post Comments (Atom)
Popular Posts this month
-
Grieg: Lyric Pieces, Op. 71 , Moods, Op. 73, Peer Gynt Suite, Op. 46 , transcriptions of Songs, Op. 41 - Alexander Ullmann - Rubicon Cla...
-
Having recorded a disc of motets by Francois Couperin (see my review ), Edward Higginbottom and the choir of New College Oxford have turne...
-
Carl Heinrich Graun Carl Heinrich Graun: opera arias; Valer Sabadus, {oh!} Orkiestra, Martyna Pastuszka; Bayreuth Baroque Opera Festival at ...
-
Christopher Gray and the Choir of St John's College, Cambridge The Advent Carol Service: Judith Weir, Laura Sheils, Paul Manz, Mendelss...
-
Verdi: Macbeth - Alexey Gusev, Mari Wyn Williams - Chelsea Opera Group (Photo: Matthew Johnson) Verdi: Macbeth (1865); Alexey Gusev, Mari ...
-
Handel: Partenope - English National Opera (Photo: Lloyd Winters) Handel: Partenope ; Nardus Williams, Hugh Cutting, Ru Charlesworth, Jake ...
-
Handel: Ariodante - Royal Opera House (Photo: Bill Knight/RBO) Handel's Ariodante; Jacquelyn Stucker, Emily D'Angelo, Christophe D...
-
Hans Krasa: Brundibar - Kayla Farrell (Brundibar) - Sarasota Opera (Sarasota Youth Opera) Raise up your voice: Intolerance through the voice...
-
Weber: Der Freischütz - Theatre de Champs Elysees - Photo Julien Benhamou Carl Maria von Weber Der Freischütz ; Stanislas de Barbeyra...
-
Gimnazija Kranj Symphony Orchestra I get all sorts of mail, people sending my information on concerts and recordings. Everything gets gl...
No comments:
Post a Comment