Partly out of a sense of masochism, I suppose, I've been looking at the line up for the shortlist of this year's British Composer Awards. In the Choral category there are works by Alexander Campkin, Francis Pott and Michael Zev Gordon; in the orchestral it is Julian Anderson, Simon Bainbridge and Huw Watkins; Liturgical is Julian Anderson, Francis Grier and Gabriel Jackson. All well and good, very much a reflection of much that is going on in the musical world at the moment, albeit from a certain, non-experimental point of view.
If we turn to the stage category then things get interesting. Note that this is stage not opera. We have Orlando Gough's A Ring A Lamp A Thing, a solo piece performed as part of ROH's Opera Shots, Jody Talbot's score for Alice's Adventure in Wonderland, the Christopher Weeldon ballet premiered at the ROH, and Tim Minchin's Mathilda, the musical based on the Roald Dahl story premiered by the RSC. As you can see the chosen works are rather a varied lot and it seems a shame that we don't have a specifically operatic category. It would seem difficult for complex and difficult operatic works to compete with the populist works; and is it fair to consider ballet as a stage work without considering the choreography. Interesting though the works are, do they really represent the best of last year's music for the contemporary stage?
Or am I just being an old curmudgeon!
Saturday, 5 November 2011
Subscribe to:
Post Comments (Atom)
Popular Posts this month
-
Gilbert & Sullivan: The Gondoliers - Kelli-Ann Masterson, Phil Wilcox, Matthew Siveter, Lauren Young, George Robarts - English Touring...
-
Operabase CEO, Ulrike Köstinger Since its founding in 1996 by Mike Gibb, the Operabase website has become somewhat ubiquitous in the opera w...
-
Handel: Rinaldo - Agustín Pennino in rehearsal - Royal Academy Opera Handel's Rinaldo was the first opera he wrote for London, in 1711...
-
Vinci: Artaserse - Craig Trompeter & orchestra of Haymarket Opera Company (Photo: Elliot Mandel) As Chicago-based Haymarket Opera Com...
-
Foyer of Wigmore Hall in 1901 when it was Bechstein Hall (Photo courtesy of Wigmore Hall) Like many major cities, London's concert halls...
-
Janácek: The Makropulos Case - Act 2: Heather Engebretson, Susan Bickley, Jenry Waddington, Sean Panikkar, Ausrine Stundyte - Royal Opera ...
-
Norwich Philharmonic Orchestra and Chorus who perform Walton's Belshazzar's Feast at this year's Festival By far the largest a...
-
Preparing for the premiere of Oliver Tarney's St Mark Passion at St Endellion in 2019 Oliver Tarney 's St Mark Passion was commis...
-
Pergolesi's L'Olimpiade at Vache Baroque in 2024 (Photo: Michael Wheatley) - [see my review ] The 17th-century English tradition ...
-
Nicola Benedetti (Image: Andrew Perry) Under the title All Rise , this year's Edinburgh International Festival is presenting 24 days of ...
Curmudgeon ? No you're not. They're just playing safe, safe, safe.
ReplyDelete