The Turkish composer Can Atilla is not a name well known in Western Europe, he has written for film and television and his output has included electronic and new-age music. His Symphony No. 2 'Gallipoli – The 57th Regiment' was written for the 2015 centenary of the Gallipoli campaign and is dedicated to all those who died, both the soldiers of the 57th Turkish regiment, all of whom perished in one of the worst battles of World War I, but the Australian and New Zealand (ANZAC) troops who died on the other side. There is a chance to hear the symphony live tonight (5 April 2018) at Cadogan Hall performed by the Royal Philharmonic Orchestra, conductor Burak Tüzün (Director of the Haceteppe University Symphony Orchestra and lecturer at the Ankara State Conservatoire) with Angela Ahıskal (soprano) and Onur Şenler(cello).
The symphony is being performed as part of a Gallipoli Friendship Concert, presented by the Yunus Emre Institute (a body which promotes Turkish culture), which commemorates those who lost their lives in the 1915-16 Gallipoli Campaign, and build on the enduring legacy of friendship it inspired between Turkey and the Commonwealth. The evening also included in the concert is music by Vaughan Williams, Butterworth and Elgar, plus a reading from Louis de Bernieres from his novel Birds Without Wings, which is partly set in Gallipoli.
Can Atilla's symphony is a substantial piece (the recording on Naxos lasts nearly 55 minutes), which takes the form of two movements forming a sinfonia concertante for cello, and then two movements setting texts, Atatürk’s words, committing the fallen 'Johnnies and Mehmets' to Turkish soil; and a poem by the First World War Australian writer John le Gay Brereton.
Burak Tüzün's recording of the symphony is available on Naxos and you can read a review on the MusicWeb International website.
Further details from the Cadogan Hall website.
Subscribe to:
Post Comments (Atom)
Popular Posts this month
-
Alexander James Edwards The tenor Alexander James Edwards has popped up on this blog over the years, whether it be singing Pollione to ...
-
Neil Gaiman I had been looking forward to Neil Gaiman's 'The truth is a cave in the Black Mountains' at the Barbican Hall, ...
-
Wagner: Rienzi - Last scene of Act3 at the Théâtre Lyrique, Paris in 1869 In a series of essays I will be looking at the influence of th...
-
Smetana Dalibor ; Dana Burašová, Ivan Kusnjer, Alžběta Poláčková, Richard Samek, BBC Singers, BBC Symphony Orchestra, Jiři Bělohláv...
-
James Baillieu (Photo: David Ruano) From this year, pianist James Baillieu and conductor/composer Ryan Wigglesworth begin a three-year tenu...
-
Angel's Bone by Du Yun and Royce Vavrek English National Opera at Aviva Studios, Manchester Du Yun: Angel's Bone - English Na...
-
Gimnazija Kranj Symphony Orchestra I get all sorts of mail, people sending my information on concerts and recordings. Everything gets gl...
-
The Tchaikovsky Papers; edited by Marina Kostalevsky; Yale University Press Reviewed by Robert Hugill on 20 June 2018 Star rating:...
-
The Gewandhaus at the Augustusplatz in Leipzig-Mitte with the Mendebrunnen at night (2016) (Photo: Wikimedia - By Ichwarsnur - Own work, ...
-
Britten: The Rape of Lucretia - Ellie Donald, Ella Orehek-Coddington, Pasel Basov, Viktoria Melkonian - Royal Academy Opera (Photo: Craig ...

No comments:
Post a Comment