Last night (23 October 2019) we heard a private recital showcasing the latest cohort of singers and repetiteurs at the National Opera Studio (NOS). Each year, a different intake of young artists do an intensive nine-month course at the studio, and this year's cohort have been in place for just five weeks. We heard eleven singers (out of 13) and four repetiteurs in a programme which took in arias and duets by Gounod, Tchaikovsky, Handel, Cilea, Puccini, Donizetti, Verdi, Leoncavallo, Bizet, Offenbach and Mozart. A diverse group of singers and pianists all with wonderfully vibrant voices and personalities, from New Zealand, Spain, Mexico, China, South Korea, South Africa, Canada, Portugal and the United Kingdom.
We heard sopranos Eliza Boom, Alexandra Lowe (who we heard in Janacek's Jenufa at Grange Park Opera, and Britten's Owen Wingrave at British Youth Opera), and Ella Taylor (who we heard in Alex Mills' A Father looking for his Daughter at Second Movement's Rough for Opera), mezzo-sopranos Elizabeth Lynch (who we heard in Handel's Giulio Cesare at Bury Court Opera) and Samantha Oxborough, tenors Luis Aguilar, Frederick Jones (who we heard in Stravinsky's The Rake's Progress with British Youth Opera), and Shengzhi Ren, baritones Kyo Choi and Benson Wilson (who won this year's Kathleen Ferrier Award), and bass Msimelelo Mbali. They were accompanied by Juliane Gallant, Mairi Grewar, Fernando Loura and Bradley Wood.
Besides the operatic programme, we had two delightful non-operatic items. Shengzhi Ren sang a lovely traditional Chinese song, and then Elizabeth Lynch gave a hilarious rendition of Tom Lehrer's Poisoning Pigeons in the Park!. For the ensemble finale, there was the Brindisi from Verdi's La Traviata with the audience providing the chorus (adroitly warmed up and rehearsed before hand by the NOS's music director Mark Shanahan).
The NOS presents regular free Wednesday lunchtime recitals, and on Tuesday 26 November there is a chance to catch The Fatal Gaze, scenes and extracts from opera directed by Tim Albery at Conway Hall. Full details from the NOS website.
Thursday, 24 October 2019
Subscribe to:
Post Comments (Atom)
Popular Posts this month
-
Wagner: Das Rheingold - Deutsche Oper Berlin (Photo: Bernd Uhlig) Wagner: Der Ring des Nibelungen ; director: Stefan Herheim, conductor: Sir...
-
Alexander James Edwards The tenor Alexander James Edwards has popped up on this blog over the years, whether it be singing Pollione to ...
-
Creative Minds in Song (2023) In this guest posting pianist Gavin Roberts, artistic director of Song in the City, introduces Creative Minds...
-
Neil Gaiman I had been looking forward to Neil Gaiman's 'The truth is a cave in the Black Mountains' at the Barbican Hall, ...
-
Smetana Dalibor ; Dana Burašová, Ivan Kusnjer, Alžběta Poláčková, Richard Samek, BBC Singers, BBC Symphony Orchestra, Jiři Bělohláv...
-
James Baillieu (Photo: David Ruano) From this year, pianist James Baillieu and conductor/composer Ryan Wigglesworth begin a three-year tenu...
-
Wagner: Rienzi - Last scene of Act3 at the Théâtre Lyrique, Paris in 1869 In a series of essays I will be looking at the influence of th...
-
Mozart's The Marriage of Figaro in rehearsal - Ellie Neate, Danielle de Niese, Jack Sandison - Wild Arts (Photo: Anastasia Tikhonova) W...
-
Angel's Bone by Du Yun and Royce Vavrek English National Opera at Aviva Studios, Manchester Du Yun: Angel's Bone - English Na...
-
Mozart: Le nozze di Figaro - Andrey Zhilikhovsky, Masabane Cecilia Rangwanasha, Louise Alder, Alex Esposito - Royal Opera House (Photo: Mi...

No comments:
Post a Comment