Last night (23 October 2019) we heard a private recital showcasing the latest cohort of singers and repetiteurs at the National Opera Studio (NOS). Each year, a different intake of young artists do an intensive nine-month course at the studio, and this year's cohort have been in place for just five weeks. We heard eleven singers (out of 13) and four repetiteurs in a programme which took in arias and duets by Gounod, Tchaikovsky, Handel, Cilea, Puccini, Donizetti, Verdi, Leoncavallo, Bizet, Offenbach and Mozart. A diverse group of singers and pianists all with wonderfully vibrant voices and personalities, from New Zealand, Spain, Mexico, China, South Korea, South Africa, Canada, Portugal and the United Kingdom.
We heard sopranos Eliza Boom, Alexandra Lowe (who we heard in Janacek's Jenufa at Grange Park Opera, and Britten's Owen Wingrave at British Youth Opera), and Ella Taylor (who we heard in Alex Mills' A Father looking for his Daughter at Second Movement's Rough for Opera), mezzo-sopranos Elizabeth Lynch (who we heard in Handel's Giulio Cesare at Bury Court Opera) and Samantha Oxborough, tenors Luis Aguilar, Frederick Jones (who we heard in Stravinsky's The Rake's Progress with British Youth Opera), and Shengzhi Ren, baritones Kyo Choi and Benson Wilson (who won this year's Kathleen Ferrier Award), and bass Msimelelo Mbali. They were accompanied by Juliane Gallant, Mairi Grewar, Fernando Loura and Bradley Wood.
Besides the operatic programme, we had two delightful non-operatic items. Shengzhi Ren sang a lovely traditional Chinese song, and then Elizabeth Lynch gave a hilarious rendition of Tom Lehrer's Poisoning Pigeons in the Park!. For the ensemble finale, there was the Brindisi from Verdi's La Traviata with the audience providing the chorus (adroitly warmed up and rehearsed before hand by the NOS's music director Mark Shanahan).
The NOS presents regular free Wednesday lunchtime recitals, and on Tuesday 26 November there is a chance to catch The Fatal Gaze, scenes and extracts from opera directed by Tim Albery at Conway Hall. Full details from the NOS website.
Thursday, 24 October 2019
Subscribe to:
Post Comments (Atom)
Popular Posts this month
-
Britten: Albert Herring - Dan D'Souza, Caspar Singh - ENO 2025 (Photo: Genevieve Girling) Britten: Albert Herring ; Caspar Singh, Emma...
-
Grieg: Lyric Pieces, Op. 71 , Moods, Op. 73, Peer Gynt Suite, Op. 46 , transcriptions of Songs, Op. 41 - Alexander Ullmann - Rubicon Cla...
-
Schubert: Trout Quintet - Mikhail Kopelman, Loïc Rio, Laurent Marfaing, François Kieffer, Grigory Kovalevsky, Elisabeth Leonskaja (Photo ©...
-
Having recorded a disc of motets by Francois Couperin (see my review ), Edward Higginbottom and the choir of New College Oxford have turne...
-
Handel: Solomon - John Butt, Orchestra of the Age of Enlightenment, Queen Elizabeth Hall (Photo: Mark Allan) Handel: Solomon ; Helen Charls...
-
Lauren Lodge Campbell, Patrick Ayrton & ensemble recording Astrophil & Stella for VOCES8 Records The more literary-minded amongst y...
-
Mark Rogers, Hugo Brady - Oxford International Song Festival (Photo: TallWall Media) Moore's Melodies : traditional, Stanford, Ina Boyle...
-
The Magdalene Songs - Deirdre Brenner, Lotte Betts-Dean - Oxford International Song Festival (Photo: TallWall Media) The Magdalene Songs : ...
-
Baba Yaga: Songs & Dances of Death - Sholto Kynoch, Ana Dordevic, Carola Schwab, Rowan Hellier - Oxford International Song Festival (Ph...
-
Daniele Gatti, Berlin Philharmonic - Philharmonie, Berlin Webern: Langsamer Satz , Stravinsky: Symphony in C, Brahms: Symphony No.3 in F ma...

No comments:
Post a Comment