Celebrating the electic life of pioneering crystallographer Dame Kathleen Lonsdale: Electric Voice Theatre at Conway Hall for Bloomsbury Festival

"For a married woman with children, to become a first class scientist she must first of all choose, the right husband" 
        Dame Kathleen Lonsdale

Crystallographer Dame Kathleen Lonsdale (1903–1971) was the first female professor at UCL and the first female Fellow of the Royal Society. Her pioneering science led to breakthroughs in organic chemistry and medical treatments. Beyond science, Lonsdale was a prison reformer, women’s rights activist and pacifist, warning of the dangers of nuclear physics and wealth inequality in her book Is Peace Possible? 

As part of the 20th Bloomsbury Festival, Electric Voice Theatre will be returning to Conway Hall on 15 October 2026 for The Peaceful Crystallographer - and other songs celebrating the life of Dame Kathleen Lonsdale.

Electric Voice Theatre will be joined by UC8 - young acappella singers from University College London, and Clerkenwell Community Choir to perform music which reflects Lonsdale’s eclectic life, ranging through Irish folk song, music-hall, stirring anthems and ethical hymns, including works by Judith Weir and Cheryl Frances-Hoad, Lonsdale’s contemporaries like Elizabeth Maconchy, Shena Fraser and Clara Novello Davies and Conway Hall’s radical thinkers, Eliza Flower and Emily Josephine Troup.

There will be a post-performance discussion featuring science historian Dr Patricia Fara and Zoë Waller, Professor of Drug Discovery, Pharma & Bio Chemistry at University College London, and some of today’s women in science at UCL in the year of its 200th anniversary. 

Full details from Electric Voice Theatre's website. 

 

Manuel de Falla, Bell's telephone, rockets & Winnie the Pooh: The London Song Festival is 'Reaching Out...'

E. H. Shepard - Illustration to page 3 of Winnie-the-Pooh (1926) 

Nigel Foster's London Song Festival is back this autumn with nine concerts from 5 November to 11 December under the banner of "Reaching Out to...." or "Reaching Back to..." a place or time in which imagination and longing flourish.

Anniversaries celebrated include the 150th anniversary of Alexander Graham Bell’s patent for the telephone, the centenary of the publication of A. A. Milne's Winnie the Pooh, the centenary of the launch of the first liquid propelled rocket and the 150th anniversary of the birth of Manuel de Falla. Other themes include Ancient Greece, Fantasy & Magic, The Seven Ages of Man, and the Mystic East

Performers at the festival include Ellen Pearson (mezzo-soprano), Laurence Kilsby (tenor), Rachel Munro (soprano), Lotte Betts-Dean (mezzo-soprano), Harriet Burns (soprano), George Robarts (baritone), Katie Bray (mezzo-soprano), Archie Inns (tenor), Lorena Paz Nieto (soprano), Michel de Souza (baritone), Erika Baikoff (soprano), Jonathan Eyers (baritone), Natalka Pasicznyk (soprano), Sian Sulke (mezzo-soprano), along with winners of the 2025 London Song Festival Schubert Song Prize, Siri Bengtsson Marklund (soprano) and Bohdana Ravliuk (piano), and the winners of the inaugural SWAP’ra Rebecca Clarke Pianist Prize, Jasmin Alpress and Alfred Fardell who curate a programme with the singers with whom they won the prize, Gabriella Noble (mezzo-soprano), Archie Inns (tenor).

Music included moves between the known and the unknown, including Erich Wolff, Arthur Somervell, Florence Price, Harold Fraser-Simpson, Nadia Boulanger, Albert Roussel, Marguerite Canal, Armande de Polignac, Rebecca Clarke, Constant Lambert, Granville Bantock and Charles Griffes, along with contemporary composer Edward Picton-Turberville. 

A particular highlight is the focus on Manuel de Falla on 26 November, when his songs will be paired with songs inspired by Spain, but written by non-Spanish composers including Wolf, Schumann, Adolf Jensen, Ravel, Jacques Ibert, Honegger, Louis Albert, Delibes, William Walton, Frederick Keel, Tchaikovsky and Shostakovich.

Full details from the London Song Festival's website.

The virtual orchestra: the Philharmonia's new VR game allows participants to join the orchestra in a live performance of Rossini's William Tell

Philharmonia Orchestra's Virtual Orchestra: Play Along (Photo: Marc Gascoigne)

The Southbank Centre's Creative Intelligence festival (11 to 13 September 2026) takes its inspiration from the Festival of Britain 75 years ago by exploring how artists, digital innovation and AI are reshaping the world we live in as part of a celebration of art, imagination and technology.

The Philharmonia's contribution to the festival will build on the orchestra's digital innovation to present Virtual Orchestra: Play Along, a virtual game which allows users to pick up a virtual instrument, learn through guided tutorials, and perform as part of the orchestra. Designed with children and young people in mind, participants can choose percussion instruments including cymbals, timpani and triangle, building skills before joining a full orchestral performance in a packed concert hall setting.

Through a series of interactive challenges and tutorials led by Philharmonia musicians, participants wearing VR headsets learn to read their part in the score, rehearse, and then “join the orchestra” in a live concert for the exhilarating finale of Rossini’s William Tell Overture.

The live performance in the experience was filmed at the Royal Festival Hall in April 2025 and conducted by Principal Conductor Santtu-Matias Rouvali, using an array of 3D 360 cameras for ultra-high 12.5k resolution and cinematic quality. Live audio was recorded and mixed using object-based spatial audio techniques and converted to higher-order Ambisonics, to render the full acoustic depth and geometry of the performance space. Every instrument occupies its true position in three-dimensional space, captured at the highest spatial resolution currently possible.

The Philharmonia Orchestra was among 272 recipients to benefit from the Innovate UK/ DCMS Create Growth Programme in 2025. The £99,284 grant enabled research and development and the pilot programme with a Year Seven cohort from 11 schools from Leicestershire, Derbyshire and Lincolnshire. Alongside the VR experience, the Philharmonia has developed a curriculum-linked programme for Key Stage 3, with resources and CPD support for teachers. The project responds to growing concerns around declining music participation in schools, with GCSE Music entries falling significantly in recent years.

Marta Génova, the Philharmonia Orchestra’s Head of Digital Product and Experience, says, "For over a decade, the Philharmonia Orchestra has pioneered immersive musical experiences, and Virtual Orchestra: Play Along takes that work into a new phase where we ask audiences to participate rather than observe. For the first time in our VR work, users can take up a virtual instrument, develop skills through guided practice, and perform with the orchestra onstage, among the musicians, in concert. Through R&D collaboration with percussionist Tom Edwards, Meta Camera and Schallgeber, we have developed new ways to connect artists and audiences, reducing barriers to engagement and making cultural spaces more welcoming to participants."