I am now over 60 minutes through and am steadily working my way down the penultimate page of the libretto. The piece is based on a play by Alan Richardson called When a man knows which has a distinguished performance history, so I hope the opera lives up to it. Just to give you an idea of the differences between opera and the stage, the play is estimated to last 35 minutes whereas the opera will last around 70 minutes, despite having the text trimmed down to the bone.
This still leaves me with the worry that the baritone part might be too long. I think that I need to be more radical in my use of the chorus to provide a pause in the long dialogue between the man and the woman. The problem with this is that it means I need some new text, so I will have to think about it. Having got this far with the piece I have started to think about performance and will start making plans to have a workshop/concert performance in the spring of next year.
Sunday, 4 October 2009
Subscribe to:
Post Comments (Atom)
Popular Posts this month
-
Having recorded a disc of motets by Francois Couperin (see my review ), Edward Higginbottom and the choir of New College Oxford have turne...
-
Elgar: The Kingdom ; Francesca Chiejina, Sarah Connolly, Benjamin Hulett, Ashley Riches, Crouch End Festival Chorus, Hertfordshire Chorus, L...
-
Carl Heinrich Graun Carl Heinrich Graun: opera arias; Valer Sabadus, {oh!} Orkiestra, Martyna Pastuszka; Bayreuth Baroque Opera Festival at ...
-
London, ca.1740: Handel's musicians : Charles Weideman, Giuseppe Sammartini, Pietro Castrucci, George Frideric Handel, James Oswald; L...
-
Handel, Corelli, Sammartini, Geminiani, Castrucci, Blow, Smith; Olwen Foulkes, Nathaniel Mander, Carina Drury, Toby Carr, Tabea Debus;...
-
David Allinson and The Renaissance Singers at Holy Sepulchre London, The Renaissance Singers is a chamber choir with a difference. One of Lo...
-
Julian Chan The Royal Academy of Music’s Bicentenary Series on Linn Records offers industry-level recording experience and the chance to r...
-
The Stationers' Hall where Purcell's Hail, Bright Cecilia was premiered in 1692 Humfrey: O Lord my God , Blow: I was glad , Purcell:...
-
Manuscript score, signed by the composer and the performers of the premiere One of England’s greatest choral works, Elgar’s The Dream of Ger...
-
Love and Loss: Elena Firsova, Dmitri Smirnov; Rudersdal Chamber Players; OUR Recordings Reviewed 15 December 2025 The Danish contemporary m...
No comments:
Post a Comment