Friday, 9 November 2012
New role for Liam Scarlett
Labels:
news
25-year old dancer and choreographer Liam Scarlett has been appointed the Royal Ballet's first artist in residence. Scarlett will stop dancing with the company and concentrated on choreography. His first work for the Covent Garden main stage, Asphodel Meadows, won an Olivier Award in 2010. He choreographed a pas-de-deux for the recent Our Extraordinary World gala at Covent Garden and his ballet, Viscera, recently received its UK premiere at Covent Garden as part of a triple bill with ballets by Wayne McGregor and Christopher Wheeldon.
Subscribe to:
Post Comments (Atom)
Popular Posts this month
-
Wagner: Das Rheingold - Deutsche Oper Berlin (Photo: Bernd Uhlig) Wagner: Der Ring des Nibelungen ; director: Stefan Herheim, conductor: Sir...
-
Alexander James Edwards The tenor Alexander James Edwards has popped up on this blog over the years, whether it be singing Pollione to ...
-
Mozart's The Marriage of Figaro in rehearsal - Ellie Neate, Danielle de Niese, Jack Sandison - Wild Arts (Photo: Anastasia Tikhonova) W...
-
Creative Minds in Song (2023) In this guest posting pianist Gavin Roberts, artistic director of Song in the City, introduces Creative Minds...
-
Mozart: Le nozze di Figaro - Andrey Zhilikhovsky, Masabane Cecilia Rangwanasha, Louise Alder, Alex Esposito - Royal Opera House (Photo: Mi...
-
Neil Gaiman I had been looking forward to Neil Gaiman's 'The truth is a cave in the Black Mountains' at the Barbican Hall, ...
-
Mozart: The Marriage of Figaro - Timothy Nelson, Ellie Neate, Elinor Rolf Johnson - Wild Arts (Photo: Lucy Toms) Mozart: The Marriage of F...
-
Smetana Dalibor ; Dana Burašová, Ivan Kusnjer, Alžběta Poláčková, Richard Samek, BBC Singers, BBC Symphony Orchestra, Jiři Bělohláv...
-
The BBC Proms, the world’s largest classical-music festival, salutes the USA in this year’s edition marking 250 years since the signing of t...
-
Wagner: Rienzi - Last scene of Act3 at the Théâtre Lyrique, Paris in 1869 In a series of essays I will be looking at the influence of th...
No comments:
Post a Comment