Monday, 11 February 2013
Down a fourth
Bass Matthew Rose and pianist Gary Matthewman have a new record out, on Stone Records, of Schubert's great song cycle Die Winterreise. The disc is getting very good reviews and, though I have not heard the disc, I heard the two of them performing the cycle live at a private recital in 2011 and their performance was superb. But this brings me back to a subject that continually nags at me - transposition. Rose performs most of Schubert's songs transposed down a fourth (Schubert's originals are for the tenor voice). Is it acceptable to shunt Schubert's piano part down a fourth, does it make any difference? I suppose the answer is in the performance. a great performance transcends the medium. But still I worry.
Subscribe to:
Post Comments (Atom)
Popular Posts this month
-
What about blowing the box to pieces: composer Eímear Noone on writing for video games, films and TVEímear Noone (Photo: Andy Paradise) Dublin and LA-based composer Eímear Noone is known for her scores for video games, films and TV. She re...
-
Georges Bizet's Les Pêcheurs de Perles ; Julie Fuchs, Cyrille Dubois, Florian Sempey, L'orchestra nationale de Lille, Alexandre ...
-
Britten: Peter Grimes - Nicky Spence - Welsh National Opera, 2025 (Photo: Dafydd Owen) Britten: Peter Grimes; Nicky Spence, Sally Matthews,...
-
Mozart: Le Nozze di Figaro - Sarasota Opera, 2025 - (Photo: Robert Millington for Sarasota Opera) Mozart: Le nozze di Figaro , Verdi: Stiff...
-
Bach: Liebster Jesu, mein Verlangen - Olivier Stankiewicz, Lucy Crowe, ensemble led by Maria Włoszczowska - Wigmore Hall (taken from live s...
-
Libertas : Beethoven, Schubert, Beach, Marx; Äneas Humm, Doriana Tchakarova; Rondeau Production Reviewed 19 April 2025 The young Swiss barit...
-
Prokofiev: Suite from Semyon Kotko - Vladimir Jurowski, London Philharmonic Orchestra - Royal Festival Hall (Photo: Marc Gascoigne) Prokof...
-
Natalie Burch, James Way and Annemarie Federle at St Mary's Parish Church, Haddington where their recording of Britten's Canticles ...
-
Sunwook Kim & Chamber Orchestra of Europe - Barbican Centre (Photo: Ed Maitland-Smith/Barbican Centre) Anna Clyne: Stride , Beethoven: P...
-
The first page of Mozart's autograph score of the Requiem Mozart: Symphony No. 35 , Requiem, Bruckner, Rheinberger; Hannah Dienes-Willia...
It makes a difference, but I think whether or not it works depends on the performers' ability to not get bogged down in the thicker sonority of a low key, and also the song itself -- a song about twittering birds or twinkling stars might be harder to convincingly transpose down a 4th than, say, a song about digging a grave.
ReplyDeleteSo it works best with a gloomy cycle like Winterreise!
ReplyDelete