My article Who are we writing for? has just been published in Issue 3 of the journal of the Institute of Composing. The article examines the contemporary composer's relationship with the audience and whether composers should be more aware of a potential audience when writing their music.
The current issue includes not only my article, but Tansy Davies on creating her new opera Between Two Worlds, Susanna Eastburn on giving creative artists a chance, folk music as a contemporary art form and a thoughtful article by Alwynne Pritchard which encompasses the writings of Foucault and the marketplace. Head over to Issue 3 of the journal of the Institute of Composing for an intriguing read.
Saturday, 18 April 2015
Who are we writing for? My article in the journal of the Institute of Composing
Labels:
writing music
Subscribe to:
Post Comments (Atom)
Popular Posts this month
-
Britten: War Requiem - Edward Gardner, Benjamin Appl, Paul Appleby London Philharmonic Orchestra (Photo: Andy Paradise) Britten: War Requie...
-
Britten: Violin Concerto - Simone Lamsma, Andrew Manze, Royal Liverpool Philharmonic - BBC Proms (Photo: BBC/ Chris Christodoulou) Vaughan...
-
Puccini: Tosca (Act Three) - Carmen Giannattasio, Saimir Pirgu - Oxford International Opera (Photo: Chris Christodoulou) Puccini: Tosca ; C...
-
A drawing of Joyce (with eyepatch) by Djuna Barnes from 1922, the year in which Joyce began the 17-year task of writing Finnegans Wake Alast...
-
Gerald Finzi: The Dance Continued, recording session - Nick Pritchard, Ian Tindale [Photo: Jan Capinski] Gerald Finzi is a composer whose m...
-
Bizet: Carmen - Katie Bray, Oliver Johnston - Blackheath Halls Opera (Photo: Julian Guidera) Bizet: Carmen ; Katie Bray, Oliver Johnston, M...
-
Edward Longstaff: The History of Mr. Polly: Part One - Robin Bailey - Tête à Tête: The Opera Festival at the Cockpit (Photo Claire Shovelto...
-
Bach: Mass in B Minor - Arcangelo - BBC Proms (Photo: BBC / Chris Christodoulou) Bach: Mass in B minor ; Jeanine De Bique, Eva Zaïcik, Hugh...
-
Fromental Halévy (1799-1862) was one of the mainstays of French opera in the 19th century. A pupil of Cherubini, his opera La Juive (1835) w...
-
Patrick Lange Opera North 's forthcoming Autumn season has an interesting element of compare and contrast to it. Patrick Nolan's new...

No comments:
Post a Comment