This year's Wimbledon International Music Festival, the ninth festival, opens on Remembrance Day with Jools Scott and Sue Curtis's oratorio The Cool Web based on the war poems of Robert Graves (who was born in Wimbledon), performed by Sonoro, Merton Music Foundation Young Voices, Philharmonia Orchestra, conductor Robin O'Neil, with baritone Edward Grint. The work was premiered in 2014 at Bath Abbey to mark the beginning of the World War One centenary (there is a review of the original performance on The Fine Times Recorder). The festival ends on 26 November with the Philharmonia and Robin O'Neill returning for a programme of Mozart and Haydn symphonies plus Richard Strauss's Oboe Concerto with Gordon Hunt.
The Academy Choir and Baroque Players, conductor Matthew Best, with soloists Mary Bevan, David Allsopp, Andrew Tortise are performing Bach's Mass in B Minor, and the Schubert Ensemble perform a double concert celebrating the music associated with Vienna from Mozart to Mahler.
Other highlights include violinist Victoria Mullova and friends (including cellist Matthew Barley) in music by Brazilian composers, and Sir Willard White and Counterpoise in a programme of American inspired music from Gershwin to Art Tatum and Piazzolla. Tenebrae, conductor Nigel Short, will combined movements from Joby Talbot's Path of Miracles, with Holst's Evening Watch, plainchant and Palestrina. The Wihan and Sacconi Quartets join forces for a programme of octets, Quatuor Diotima performs a programme of Debussy, Dutilleux, Stravinsky and Ravel, and trumpeter Hakan Hardenberger joins forces with percussionist Colin Currie.
Other artists performing include viola player Timothy Ridout (first ever British winner of the Lionel Tertis International Viola Competition), Red Priest, pianist Yevgeni Sudbin, and the Soloists of the Russian Virtuosi of Europe.
Full details from the Wimbledon International Music Festival website
Monday, 24 July 2017
Jools Scott's The Cool Web opens 2017 Wimbledon International Music Festival
Labels:
preview,
Wimbledon Music Festival
Subscribe to:
Post Comments (Atom)
Popular Posts this month
-
Operabase CEO, Ulrike Köstinger Since its founding in 1996 by Mike Gibb, the Operabase website has become somewhat ubiquitous in the opera w...
-
Brecht & Weill: Rise and Fall of the City of Mahagonny - English National Opera (Photo: Tristram Kenton) Brecht & Weill: Rise and...
-
Foyer of Wigmore Hall in 1901 when it was Bechstein Hall (Photo courtesy of Wigmore Hall) Like many major cities, London's concert halls...
-
Vinci: Artaserse - Craig Trompeter & orchestra of Haymarket Opera Company (Photo: Elliot Mandel) As Chicago-based Haymarket Opera Com...
-
Handel: Rinaldo - Agustín Pennino in rehearsal - Royal Academy Opera Handel's Rinaldo was the first opera he wrote for London, in 1711...
-
Stephen McNeff: Ballads of a Bogman - The Sigerson Clifford Song Cycle, Vaughan Williams: Songs of Travel ; Gavan Ring, Fiachra Garvey; W...
-
Janácek: The Makropulos Case - Act 2: Heather Engebretson, Susan Bickley, Jenry Waddington, Sean Panikkar, Ausrine Stundyte - Royal Opera ...
-
Norwich Philharmonic Orchestra and Chorus who perform Walton's Belshazzar's Feast at this year's Festival By far the largest a...
-
David Butt Philip & Friends Gala - Susanna Stranders, Liam James Karai, Ellie Laugharne - St Paul's Opera (Photo: Julian Guidera) Da...
-
Pergolesi's L'Olimpiade at Vache Baroque in 2024 (Photo: Michael Wheatley) - [see my review ] The 17th-century English tradition ...

No comments:
Post a Comment