To the Barbican last night for Mark Minkowski's wonderful performance of Handel's Alcina with Inga Kalna in the title role (replacing Anja Harteros). The only complaint was my usual one about the placing of intervals. The opera started at 6.30pm and finished at 10.20pm, and Minkowski performed the opera complete with the dances at the end of Acts 2 and 3. The only trouble, there was just 1 interval. This was advertised as being at the end of Act 1, giving us the prospect of a second half lasting well over 2 hours. In the event, the interval was placed after Alcina's first aria which gave us roughly a first half of 2 hours and 2nd half of 90 minutes. But, given the timings, couldn't we please have two intervals. Handel constructed his operas very carefully, and they respond far better to having the intervals in the correct places. Not to speak of having to sit in the auditorium for 2 hours continuously!
Whilst we are in querelous mood...
We used the Barbican's new Red Room, which is designed for their new membership category. It is a pleasant bar with views overlooking the foyers, serving food and drink. Only, it seems to have been designed for young people in mind. Like the re-design of the waterside cafe, the designers would seem to have designed the interior for a young audience. Whereas that at the Great Performers concerts would seem to be older, one not inclined to sit on bar stools and one preferring to sit in independently and not compressed into groups.
Sunday, 5 December 2010
Subscribe to:
Post Comments (Atom)
Popular Posts this month
-
What about blowing the box to pieces: composer Eímear Noone on writing for video games, films and TVEímear Noone (Photo: Andy Paradise) Dublin and LA-based composer Eímear Noone is known for her scores for video games, films and TV. She re...
-
Gimnazija Kranj Symphony Orchestra I get all sorts of mail, people sending my information on concerts and recordings. Everything gets gl...
-
William Boyd and Colin Mathews (Photo: Mark Allan) During his long career the composer Colin Matthews has been associated with several othe...
-
Wagner: Der fliegende Holländer - Eleanor Dennis, Paul Carey Jones - Opera Holland Park (Photo: Ali Wright) Wagner: Der fliegende Hollände...
-
Purcell: Dido & Aeneas - Joshua Saunders as Aeneas with the Witches - Guildhall School (Photo: David Monteith-Hodge) Purcell: Dido and...
-
André de Ridder Courtesy of English National Opera © Hugo Glendinning English National Opera's announcement of its 2025/26 season (good...
-
Verdi: Simon Boccanegra - Roland Wood, Antony Hermus, Vazgen Gazaryan, Opera North (Photo: James Glossop) Verdi: Simon Boccanegra ; Roland ...
-
Apollo's Cabinet at Bachfest Leipzig in 2024 (Photo: Emanuel Mathias) The early music ensemble Apollo's Cabinet is known for its ev...
-
Silhouette of the clarinettist Anton Stadler For whom Mozart wrote the Clarinet Quintet David Gow, Beethoven, Shostakovich, Mozart; Peter Ci...
-
Bach: Liebster Jesu, mein Verlangen - Olivier Stankiewicz, Lucy Crowe, ensemble led by Maria Włoszczowska - Wigmore Hall (taken from live s...
No comments:
Post a Comment