This autumn's season at the Royal College of Music starts of with something of a stunner. On 26 September there are two pieces by Hans Gal, in a concert curated by Norbert Meyn and with soprano Patrizia Rosario. Gal was a distinguished composer in Germany in the 1930's who had to flee the Nazis. He ended up living in the Black Forest, where he wrote Nachtmusik for soprano, male choir, flute, cello and piano. Come seven years later, he had fled to the UK where he was interned as an enemy alien in a camp on the Isle of Wight. There he wrote the comic review What a life! I had exposure to some of Gal's fascinating and elegant music when I lived in Scotland, as he was the Hon. President of the Edinburgh Chamber Orchestra, the orchestra that I played in. In fact I played in his Serenade, Op 46 at a concert in the late 1970's, conducted by Miles Baster, where Hans Gal was present.
The RCM season continues with John Wilson directing the RCM Symphony Orchestra in Vaughan Williams's A London Symphony. A group of the RCM string professors get together to perform the Elgar Piano Quintet at lunchtime on 1 October. Later that month there is an enticing concert of vocal music by Jonathan Dove, featuring his 30 minute opera Seven Angels (9 October). And on 25 October there is the chance to experience very different works for trumpet and orchestra from Harrison Birtwistle, his Cortege, and Peter Maxwell Davies, his Trumpet Concerto. Plus new works by Jonathan Cole and William Dougherty.
There's an International Festival of Viols on 12/13 Novemeber, with recitals and masterclasses from Fretwork and Paolo Pandolfo. On 22 November, Salisbury Cathedral Choir under David Halls, give a concert of composers associated with the RCM (Dyson, Britten, William Lloyd Webber, RVW, Parry, Ireland and Howells), plus a new piece by the current RCM Head of Composition, William Mival.
27, 28, 30 November, 1 December sees the RCM's production of Monteverdi's L'Incoronazione di Poppea, directed by ETO's James Conway. In the middle of the run, on 29 November, the RCM Symphony Orchestra and Chorus perform Walton's Belshazzar's Feast; quite a combination.
Thursday, 13 September 2012
Subscribe to:
Post Comments (Atom)
Popular Posts this month
-
What about blowing the box to pieces: composer Eímear Noone on writing for video games, films and TVEímear Noone (Photo: Andy Paradise) Dublin and LA-based composer Eímear Noone is known for her scores for video games, films and TV. She re...
-
Gimnazija Kranj Symphony Orchestra I get all sorts of mail, people sending my information on concerts and recordings. Everything gets gl...
-
William Boyd and Colin Mathews (Photo: Mark Allan) During his long career the composer Colin Matthews has been associated with several othe...
-
Wagner: Der fliegende Holländer - Eleanor Dennis, Paul Carey Jones - Opera Holland Park (Photo: Ali Wright) Wagner: Der fliegende Hollände...
-
Purcell: Dido & Aeneas - Joshua Saunders as Aeneas with the Witches - Guildhall School (Photo: David Monteith-Hodge) Purcell: Dido and...
-
André de Ridder Courtesy of English National Opera © Hugo Glendinning English National Opera's announcement of its 2025/26 season (good...
-
Verdi: Simon Boccanegra - Roland Wood, Antony Hermus, Vazgen Gazaryan, Opera North (Photo: James Glossop) Verdi: Simon Boccanegra ; Roland ...
-
Apollo's Cabinet at Bachfest Leipzig in 2024 (Photo: Emanuel Mathias) The early music ensemble Apollo's Cabinet is known for its ev...
-
Silhouette of the clarinettist Anton Stadler For whom Mozart wrote the Clarinet Quintet David Gow, Beethoven, Shostakovich, Mozart; Peter Ci...
-
Bach: Liebster Jesu, mein Verlangen - Olivier Stankiewicz, Lucy Crowe, ensemble led by Maria Włoszczowska - Wigmore Hall (taken from live s...
No comments:
Post a Comment