Tchaikovsky wrote his First Piano Concerto in 1874/5 and the work was published in the composer's lifetime, so the production of a new critical edition would seem to be just the work of tidying up a few corners? Not at all. The famous opening of the concerto, as Tchaikovsky first wrote it, was at a slower tempo and the famous tune accompanied by piano chords which are softer and more arpeggio than we know today.
Tchaikovsky did revise the work in his lifetime. During the late 1880's Tchaikovsky started corresponding with publishers about a new edition and by 1897 (four years after the composer's death), the version that we know today was firmly established. But it is not clear what was authorised by the composer and the vagaries of 19th century publishing mean that we are not sure what score was published when. The composer Sergei Taneyev, who played the work in Russia in 1875, continued to think that the changes were inauthentic. The Tchaikovsky Research project is attempting to clarify things by collating as many early editions as possible prior to the editorial work for the new edition.
Further information from the Tchaikovsky Research webpages.
Thursday, 27 June 2013
Subscribe to:
Post Comments (Atom)
Popular Posts this month
-
Brecht & Weill: Rise and Fall of the City of Mahagonny - English National Opera (Photo: Tristram Kenton) Brecht & Weill: Rise and...
-
Britten: Peter Grimes , Act One, Scene One - Opera North, 2026 (Photo: James Glossop) Britten: Peter Grimes ; John Findon, Philippa Boyle, ...
-
Operabase CEO, Ulrike Köstinger Since its founding in 1996 by Mike Gibb, the Operabase website has become somewhat ubiquitous in the opera w...
-
Oxford Philharmonic Orchestra (OPO), artistic director Marios Papadopoulos, has done occasional concert performances of opera, but this Sept...
-
Gimnazija Kranj Symphony Orchestra I get all sorts of mail, people sending my information on concerts and recordings. Everything gets gl...
-
Foyer of Wigmore Hall in 1901 when it was Bechstein Hall (Photo courtesy of Wigmore Hall) Like many major cities, London's concert halls...
-
Norwich Philharmonic Orchestra and Chorus who perform Walton's Belshazzar's Feast at this year's Festival By far the largest a...
-
Handel/Renioult/Duarte: Titus l'Empereur ; Steffen Jespersen, Rachel Redmond, Chiara Hendrick, Hugo Hymas, Lucija Vaarsic, Edward Grint...
-
Pergolesi's L'Olimpiade at Vache Baroque in 2024 (Photo: Michael Wheatley) - [see my review ] The 17th-century English tradition ...
-
Vinci: Artaserse - Craig Trompeter & orchestra of Haymarket Opera Company (Photo: Elliot Mandel) As Chicago-based Haymarket Opera Com...
No comments:
Post a Comment