Another disc popped through my letter box of what might loosely be called popular music written by a classically trained musician. In this case Elliott Wheeler's album The Long Time. Elliott Wheeler is an Australian composer and producer who is one of the figures behind the music for Baz Luhrmann's film The Great Gatsby and has an impressive back catalogue of work in films. Classically trained, he studied composition at the Sydney Conservatorium. He has now released his debut studio album, The Long Time, in which each of the track on the album takes its inspiration from one of Wheeler’s favourite scenes from his most loved films of the 60′s and 70′s. The album features Wheeler's own haunting falsetto on vocals alongside Caitlin Park, Sui Zhen, Loen Carmen, Kristin Berardi and Melodie Nelson. The opening number, The Whilstler has no vocals, just Wheeler whistling.
There is certainly a cinematic feel to the writing, and whilst clearly modern in idiom Wheeler's style does evoke the past and he creates a nice big-band feel at times. Wheeler himself describes his style as 'Morricone meets Portishead via Cinematic Orchestra' and certainly a group like Anthony and the Johnsons springs to mind. Wheeler's film background can be detected in the richness and variety of the orchestrations, allied to a rather appealing melodic talent. And he isn't frightened of extended numbers, the opening track on the disc, The Whistler, lasts 4'23 and the closing track But It's Life 5'32.
If you fancy something different, then do give it a try. You can see and hear Baker Man on YouTube, featuring a a hand animated undersea video. The album can be downloaded now, and has physical release in the UK on 29 July.
Elsewhere on this blog:
Thursday, 20 June 2013
Subscribe to:
Post Comments (Atom)
Popular Posts this month
-
Alexander James Edwards The tenor Alexander James Edwards has popped up on this blog over the years, whether it be singing Pollione to ...
-
Wagner: Das Rheingold - Deutsche Oper Berlin (Photo: Bernd Uhlig) Wagner: Der Ring des Nibelungen ; director: Stefan Herheim, conductor: Sir...
-
Creative Minds in Song (2023) In this guest posting pianist Gavin Roberts, artistic director of Song in the City, introduces Creative Minds...
-
Neil Gaiman I had been looking forward to Neil Gaiman's 'The truth is a cave in the Black Mountains' at the Barbican Hall, ...
-
Smetana Dalibor ; Dana Burašová, Ivan Kusnjer, Alžběta Poláčková, Richard Samek, BBC Singers, BBC Symphony Orchestra, Jiři Bělohláv...
-
James Baillieu (Photo: David Ruano) From this year, pianist James Baillieu and conductor/composer Ryan Wigglesworth begin a three-year tenu...
-
Wagner: Rienzi - Last scene of Act3 at the Théâtre Lyrique, Paris in 1869 In a series of essays I will be looking at the influence of th...
-
Angel's Bone by Du Yun and Royce Vavrek English National Opera at Aviva Studios, Manchester Du Yun: Angel's Bone - English Na...
-
The Tchaikovsky Papers; edited by Marina Kostalevsky; Yale University Press Reviewed by Robert Hugill on 20 June 2018 Star rating:...
-
Britten: The Rape of Lucretia - Ellie Donald, Ella Orehek-Coddington, Pasel Basov, Viktoria Melkonian - Royal Academy Opera (Photo: Craig ...

No comments:
Post a Comment