The Leeds Lieder Festival runs from 1 to 3 April 2016, providing three days of lieder and song at Leeds College of Music, and the Howard Assembly Rooms, with the premiere of two festival commissions and lieder from an impressive range of performers, including the festival director Joseph Middleton. Mark Padmore (tenor), Roderick Williams (baritone), who is artistic director of this year's festival, and Julius Drake (piano) open things on 1 April 2016 when, along with actor Rory Kinnear, they perform Songs of the Sea a programme of songs and readings including music by Brahms, Britten, Coleridge, Eliot, Fauré, Hardy, Haydn, Kipling, Mendelssohn, Schubert and Tennyson.
Saturday sees a whole host of recitals, but with sensible gaps for sustenance (though one is a Coffee and Cake recital so you get to do both at once). There is a late morning concert from Katarina Karnéus (mezzo-soprano) and Joseph Middleton (piano) in Wolf’s Mignon Lieder, Wagner’s Wesendonck Lieder and songs by Sibelius, Nystroem and Grieg. In the afternoon, Nicky Spence (tenor) and Iain Burnside (piano) invite us to coffee and cake, with Britten’s Who are these Children, Finzi’s Farewell to Arms and the world première of Leeds Lieder commission Magic Lantern Tales by Cheryl Frances-Hoad, setting poetry by Ian McMillan. The evening concert is Songs to the Moon with The Myrthen Ensemble: Mary Bevan (soprano), Anna Huntley (mezzo soprano), Nicky Spence (tenor), Marcus Farnsworth (baritone) & Joseph Middleton (piano); a programme of duets and quartets by Schumann, Brahms, Fauré and Saint-Saëns.
On Sunday there is more coffee and cake with Christina Gansch (soprano) & Christopher Glynn (piano), in songs by Mozart, Mahler and the world première of Leeds Lieder commission The Just Form by Edward Rushton, setting Colin Rorrison’s translations of poems by Sophia de Mello Breyner Andresen. And the festival closes with Iain Burnside's Shining Armour based around Brahms’s Die schöne Magelone, his only song cycle, with Roderick Williams (baritone), Victoria Newlyn (as Clara Schumann) & Iain Burnside (piano)
There is also a programme of talks and walks, including a conversation with celebrated Dutch soprano (and president of Leeds Lieder) Elly Ameling.
Full information from Leeds Lieder website.
Thursday 17 March 2016
Subscribe to:
Post Comments (Atom)
Popular Posts this month
-
Septura I first became aware of the brass septet, Septura , when noting their 2017/18 concert series Kleptomania at St John's Smith...
-
Britten: Death in Venice - Tim Mead, Leo Dixon - Royal Opera ((c) ROH 2019 photographed by Catherine Ashmore) 2019 seems to have b...
-
Mural: chamber music by Gabriel Vicéns; Stradivarius Reviewed 15 April 2024 At times fierce and concentrated, Gabriel Vicéns music can evok...
-
Ben Goldscheider Jörg Widmann, Beethoven, Schumann, Huw Watkins, York Bowen; Ben Goldscheider, Richard Uttley; Wigmore Hall Reviewed 17 Marc...
-
National Youth Orchestra of Great Britain, Jessica Cottis Catalyst : Coleridge-Taylor, Julius Eastman, Gavin Higgins, Dani Howard, Prokofiev...
-
Thomas Elwin as Lensky in Tchaikovsky's Eugene Onegin at West Green House Opera in 2021(Photo: Matthew Williams-Ellis) West Green House...
-
Listening to the sublime closing duet of Monteverdi’s L’Incoronazione di Poppea it is perhaps difficult for us to accept that this music ...
-
Bizet: Carmen, Act One - Blaise Malaba, Aighul Akhmetshina - Royal Opera House (Photo: ROH/Camilla Greenwell) Bizet: Carmen ; Aigul Akhmets...
-
Gimnazija Kranj Symphony Orchestra I get all sorts of mail, people sending my information on concerts and recordings. Everything gets gl...
-
Wagner: Das Rheingold - Staatsoper Berlin, 2022 (Photo: Monika Rittershaus) Wagner: The Ring of the Nibelungen; Tomasz Konieczny, Rolando V...
No comments:
Post a Comment