Kristina Stepasjukova
with the Academy Orchestra of the Czech Philharmonic Orchestra, conductor Ondrej Vrabec at the Martinu Hall in the Lichtenstein Palace, Prague |
Peter Seabourne is an intriguing figure, born in 1960 he studied with Robin Holloway and David Blake, but took a 12 year hiatus from composing feeling dissociated from the contemporary music around him. He started writing again in the early years of this century and has had number of works, particularly for piano, released on disc. Judging by the piano concerto (which you can see after the break), he has a very distinct and intriguing voice.
Elsewhere on this blog:
- Pulling focus: Katie Mitchell's new production of Donizetti's Lucia di Lammermoor - Opera review
- Stunning arias, telegraphic plot: Handel Arminio - CD review
- Cafe Zimmermann re-creation: Feinstein Ensemble in Bach, Handel & Telemann - concert review
- Engaging storytelling: Robin Tritschler in Berkeley and Britten - concert review
- Energetic and eclectic: Feinstein Ensemble in Bach's Mass in B Minor - concert review
- Smooth and intimate: The Kings Singers in Palestrina - CD review
- Engaging and playful: Bach Goldberg Variations - concert review
- Poetic Liszt: Praxedis Genevieve Hug in lesser known Liszt transcriptions - CD review
- Hidden in plain sight: A brief survey of LGBT relationships in opera - Feature article
- 70th birthday retrospective: Trevor Pinnock's engaging Journey - CD review
- Vivid & intense: Pop-Up Opera in the round in Bellini's I Capuleti e i Montecchi - Opera review
- Bonkers fun: Gerald Barry's The Importance of Being Earnest - Opera review
- Home
good
ReplyDelete