My review of an historic recording of Haydn's Stabat Mater, Symphony 44 and Concerto for Violin and Harpsichord is here, on MusicWeb International.
Too many problems ...
Friday, 24 April 2009
Subscribe to:
Post Comments (Atom)
Popular Posts this month
-
Having recorded a disc of motets by Francois Couperin (see my review ), Edward Higginbottom and the choir of New College Oxford have turne...
-
Carl Heinrich Graun Carl Heinrich Graun: opera arias; Valer Sabadus, {oh!} Orkiestra, Martyna Pastuszka; Bayreuth Baroque Opera Festival at ...
-
David Allinson and The Renaissance Singers at Holy Sepulchre London, The Renaissance Singers is a chamber choir with a difference. One of Lo...
-
Julian Chan The Royal Academy of Music’s Bicentenary Series on Linn Records offers industry-level recording experience and the chance to r...
-
The Stationers' Hall where Purcell's Hail, Bright Cecilia was premiered in 1692 Humfrey: O Lord my God , Blow: I was glad , Purcell:...
-
Love and Loss: Elena Firsova, Dmitri Smirnov; Rudersdal Chamber Players; OUR Recordings Reviewed 15 December 2025 The Danish contemporary m...
-
Manuscript score, signed by the composer and the performers of the premiere One of England’s greatest choral works, Elgar’s The Dream of Ger...
-
Donizetti: Maria Stuarda - Nino Gotoshia, Lisette Oropesa - Salzburg Festival 2025 (Photo: SF/Monika Rittershaus) For the 2026 Salzburg Fes...
-
Handel: Deidamia - Nicolò Balducci - Wexford Festival Opera (Photo: Pádraig Grant) Opera in 2025 featured a genuine rarity in Thea Musgrave...
-
Weber: Der Freischütz - Theatre de Champs Elysees - Photo Julien Benhamou Carl Maria von Weber Der Freischütz ; Stanislas de Barbeyra...
No comments:
Post a Comment