Back to the 1890s: Dinis Sousa & the Orchestra of the Age of Enlightenment move out of their comfort zone reveal magic moments in Elgar

Elgar - Dinis Sousa, Orchestra of the Age of Enlightenment - Queen Elizabeth Hall

Elgar: In the South, Sea Pictures, Enigma Variations; Frances Gregory, Orchestra of the Age of Enlightenment, Dinis Sousa; Queen Elizabeth Hall
Reviewed 4 June 2025

Far from an exercise in academic completism, OAE's exploration of the sound world of Elgar's 1890s helped us view familiar music in new ways and brought a subtly different palate of colours and approach, moments of sheer magic.

Elgar's Enigma Variations premiered in 1899 and the composer went on to record it twice, acoustically in 1924 and electrically in 1926. A lot happened to orchestral sound in those intervening 25 years with technological and stylistic developments that would lead to the modern orchestral sound. As something of an end of term experiment, the Orchestra of the Age of Enlightenment's last orchestral concert of the 2024/25 season at the Southbank Centre featured the ensemble moving out of their comfort zone and explore the sound world of Elgar in the 1890s. They were joined by conductor Dinis Sousa, who in an engaging post-concert speech admitted that the concert was pushing the envelope for him too, and mezzo-soprano Frances Gregory. 

So, on 4 June 2025, Dinis Sousa conducted the Orchestra of the Age of Enlightenment in Elgar's In the South, Sea Pictures (with Frances Gregory) and Enigma Variations at the Queen Elizabeth Hall.

Elgar: Sea Pictures - Frances Gregory, Orchestra of the Age of Enlightenment - Queen Elizabeth Hall

Courtauld Late - Music from Drawings

Last night, 6 September, the Courtauld Gallery held one of their late openings. There was the exhibition, Mantegna to Matisse, plus talks from Niccola Shearman and music from Exaudi, conductor James Weeks. The exhibition was impressive in that it was taken entirely from the Courtauld's own holdings.

Express Tracks

Yesterday I was one of a group of journalists who travelled to and from Gatwick on the Gatwick Express for the launch of Express Tracks. This is a new project to provide travellers on the Gatwick Express with music designed to go with the journey, timed to the 30 minutes. Customers who buy tickets from their website can download the music to play on their personal devices.

The composer Philip Sheppard has written a score and then Benga, the producer and Radio 1 DJ, and the UK band The Milk have reworked Sheppard's score in their own style, thus creating three very different but interwoven scores. In fact, the listener can flip between them and keep the sense of the developing journey.