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| Great British Classics - BBC Singers, BBC National Orchestra of Wales, Nil Venditti - BBC Proms 2025 (Photo: BBC / Chris Christodoulou) |
Great British Classics: Walton, Vaughan Williams, Coleridge-Taylor, Britten, William Mathias, John Rutter, Avril Coleridge-Taylor, Grace Williams, Elgar; Liya Petrova, BBC Singers, BBC National Orchestra of Wales, Nil Venditti; BBC Proms at the Royal Albert Hall
Reviewed 5 August 2025
The Italian-Turkish conductor mixed establish classics with varied bon-bons including John Rutter's 80th birthday commission and ending with an engagingly fresh account of Elgar's enduring masterpiece
Tuesday 5 August's concert at the BBC Proms at the Royal Albert Hall was billed as Great British Classics. True, Nil Venditti did conduct the BBC National Orchestra of Wales in Walton's Crown Imperial, Vaughan Williams' The Lark Ascending (with violinist Liya Petrova), Britten's Four Sea Interludes from Peter Grimes and Elgar's Enigma Variations but someone had been rooting around in the library cupboards and so these works were shaken up with a selection of lesser-known bon-bons in the manner of a pre-War programmes. It was a very Proms programme too, mixing a cappella music from the BBC Singers with full orchestra in a way that few promoters could afford. But it meant that we heard part-songs by Samuel Coleridge-Taylor and his daughter, Avril Coleridge Taylor, along with William Mathias' Dance Overture, Grace Williams' Elegy for Strings and the premiere of a BBC commission, John Rutter's Bird Songs.
Italian-Turkish conductor Nil Venditti was appointed principal guest conductor of the Royal Northern Sinfonia last September and she seems to be developing a relationship with the BBC National Orchestra of Wales, giving seven concerts with them during their 2025/26 season.
We began with Walton's Coronation March 'Crown Imperial' which was written for the 1936 Coronation and gave the first glimpse of a rather different Walton to his earlier music. Here we heard it in Vilem Tausky's reduced orchestration (which still included double woodwind, five horns, three trumpets and three trombones). Venditti's approach was brisk, it opened full of impetus and energy enlivened by crisp rhythms with the noble second subject rather flowing and youthful in feel. Hardly Imperial at all.
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| Vaughan Williams: The Lark Ascending - Liya Petrova, BBC National Orchestra of Wales, Nil Venditti - BBC Proms 2025 (Photo: BBC / Chris Christodoulou) |
Vaughan Williams' The Lark Ascending was completed in 1914 and premiered in 1920, so it should not surprise us that the work's pastoral melancholy goes far beyond the George Meredith poem that inspired it. Soloist Liya Petrova made the violin's opening slow, meditative and thoughtful. The strings were impressively hushed when joining her, and there was a mysterious melancholy to the piece. Throughout Venditti avoided hints of folk rumbustiousness, the faster section was only just perky and the closing pages returned to the meditative feel.
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