Here's the first page of the new publicity leaflet for the January and February concerts at St. Peter's Church, Eaton Square, London, when we are celebrating the release of my CD.
Showing posts with label recording. Show all posts
Showing posts with label recording. Show all posts
Tuesday, 11 December 2007
Celebration Leaflet - Page 1
Here's the first page of the new publicity leaflet for the January and February concerts at St. Peter's Church, Eaton Square, London, when we are celebrating the release of my CD.
Monday, 22 October 2007
Wednesday, 13 June 2007
Recording news
Labels:
recording
We'll things are proceeding apace with the recording. We spent the day in the studio yesterday doing what I hope is something close to the final edit. D. and I had listened to the first edit obsessively and played it to a couple of friends. The results of our listening went into the mix when we created this new edit.
Work has also started on the CD cover, booklet design and text. We're using a picture by a painter friend as the CD cover, this has musical links as well as she has sung in quite a number of performances of my works. The first drafts are finished and the results look very promising.
Work has also started on the CD cover, booklet design and text. We're using a picture by a painter friend as the CD cover, this has musical links as well as she has sung in quite a number of performances of my works. The first drafts are finished and the results look very promising.
Tuesday, 17 April 2007
Less than a week to go
It is now less than a week to go to my recording, so life has been full of last minute flurries and tasks. I still have to sit down and create a whole set of string parts for Friday's rehearsal - tomorrow evening is allocated to the task of printing and sticking together - a great delight!
Last week there was a flurry over the organ and we are now using a one that is being brought in, so there's the logistics of getting that in (and out) without disturbing the recording sessions. Then we've had a few personnel movements, so I've had to re-arrange some of the vocal pieces. I did this last night and we are now recording my motet Nunc Dimittis with the melody line set at its original Alto pitch which will be rather nice. I always associate the melody with the sound of Rupert Damerell's voice (he premièred the piece when it as just for alto and organ), even though it has spent the last few years as a motet for SATB and organ. In fact we are going to record it in its ATB+organ incarnation.
There have also been the usual flurry of emails trying to ensure that everyone knows where and when we are doing things. Given that these are recording sessions its useful to have choir, conductor, recording engineer and record producer in the same place at the same time. Oh, and perhaps the humble composer as well, to answer questions and make tea, if nothing else.
Last week there was a flurry over the organ and we are now using a one that is being brought in, so there's the logistics of getting that in (and out) without disturbing the recording sessions. Then we've had a few personnel movements, so I've had to re-arrange some of the vocal pieces. I did this last night and we are now recording my motet Nunc Dimittis with the melody line set at its original Alto pitch which will be rather nice. I always associate the melody with the sound of Rupert Damerell's voice (he premièred the piece when it as just for alto and organ), even though it has spent the last few years as a motet for SATB and organ. In fact we are going to record it in its ATB+organ incarnation.
There have also been the usual flurry of emails trying to ensure that everyone knows where and when we are doing things. Given that these are recording sessions its useful to have choir, conductor, recording engineer and record producer in the same place at the same time. Oh, and perhaps the humble composer as well, to answer questions and make tea, if nothing else.
Friday, 13 April 2007
Recording news
Labels:
diary,
music news,
recording
Things are gearing up to our recording sessions in just over a week. I have produced a specimen set of string parts for the two pieces which use string orchestra and these are being marked up; we will then have to produce all the string parts ready for next Friday's orchestral rehearsal. This will be the first time that the Blake setting has been performed, always a nerve-wracking time. I am looking forward to hearing how the piece works with voice and strings, its a setting of a chunk of Blake's Jerusalem and is in the form of a sequence of recitatives and arias.
The choral music on the disc is less nerve-making as most of it has been performed before. This also meant that I had far less work to do generating the vocal scores, as these already existed for many of the pieces - thanks goodness.
A minor challenge has been the organ, we've discovered that building work has prevented the tuning of the organ at the recording venue so we are having to bring in an organ. One of those last minute hitches that you can never legislate for!
The choral music on the disc is less nerve-making as most of it has been performed before. This also meant that I had far less work to do generating the vocal scores, as these already existed for many of the pieces - thanks goodness.
A minor challenge has been the organ, we've discovered that building work has prevented the tuning of the organ at the recording venue so we are having to bring in an organ. One of those last minute hitches that you can never legislate for!
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