Choral at Cadogan returns to Cadogan Hall in September 2017 for the tenth series with eight concerts showcasing choirs and vocal ensembles. The Tallis Scholars, artistic director Peter Phillips, open and close the series and there are concerts from The Sixteen, Stile Antico, Vox Luminis, the National Youth Chamber Choir and the Choir of King's College, Cambridge.
The Tallis Scholars first concert features Monteverdi's works in the prima prattica style, unaccompanied polyphony following the example of Palestrina, and the concert will also feature music by Palestrina, Allegri, Gesualdo and Lotti. The choir returns in June 2018 in expanded form to perform Tallis's 40-part Spem in Alium alongside large-scale works by Sheppard, White and Sutton.
Stile Antico is joined by organist Oliver John Ruthven and violone player Kate Aldridge for music of the German Baroque including Schutz's Musiklische Exequien and Bach's Jesu meine Freude, plus music by Handl, Hassler, Daser and Knofel.
The Sixteen and Harry Christophers bring their Christmas programme, Glory to the Christ Child, which includes Poulenc's Quatre motets pour le temps de Noel and his profoundly moving Un soir de neige alongside more popular Christmas Fare. And still in a Christmas mood, the Temple Church Choir, conductor Roger Sayer, bring their Christmas programme with a selection which moves from Sweelinck's Cnatatye domino and Reger's Maria Wiegenlied to The Twelve Days of Christmas and Howard Blake's The Snowman.
The National Youth Chamber Choir, conductor Ben Parry, presents a range of music all written when the composer were in their youthful twenties, with music by Monteverdi, Britten, Owain Park, Billy Joel, Sting and more. The Choir of King's College, Cambridge, conductor Stephen Cleobury, perform music inspired by Lent and Holy Week including Tallis's Lamentations, Stabat mater settings by Palestrina and Lassus, Poulenc's Lenten motes and motets by Brahms. The Belgian group Vox Luminis, director Lionel Meunier, will be performing works by Tallis and Sheppard.
Full details from the Cadogan Hall website.
Thursday, 20 July 2017
Subscribe to:
Post Comments (Atom)
Popular Posts this month
-
Having recorded a disc of motets by Francois Couperin (see my review ), Edward Higginbottom and the choir of New College Oxford have turne...
-
Carl Heinrich Graun Carl Heinrich Graun: opera arias; Valer Sabadus, {oh!} Orkiestra, Martyna Pastuszka; Bayreuth Baroque Opera Festival at ...
-
David Allinson and The Renaissance Singers at Holy Sepulchre London, The Renaissance Singers is a chamber choir with a difference. One of Lo...
-
Julian Chan The Royal Academy of Music’s Bicentenary Series on Linn Records offers industry-level recording experience and the chance to r...
-
London, ca.1740: Handel's musicians : Charles Weideman, Giuseppe Sammartini, Pietro Castrucci, George Frideric Handel, James Oswald; L...
-
Manuscript score, signed by the composer and the performers of the premiere One of England’s greatest choral works, Elgar’s The Dream of Ger...
-
The Stationers' Hall where Purcell's Hail, Bright Cecilia was premiered in 1692 Humfrey: O Lord my God , Blow: I was glad , Purcell:...
-
Goldmark: The Queen of Sheba Suite ; American Romantics, Kevin Sherwin Reviewed 26 January 2026 Highly popular during his lifetime and up u...
-
Le Piano Symphonique - Robin Ticciati & Luzerner Sinfonieorchester (Photo: Luzerner Sinfonieorchester / Philip Schmidli) Mozart: Overtu...
-
Love and Loss: Elena Firsova, Dmitri Smirnov; Rudersdal Chamber Players; OUR Recordings Reviewed 15 December 2025 The Danish contemporary m...

No comments:
Post a Comment