Saturday, 9 January 2010
Column on the Salisbury Review
Labels:
diary
My column from the Winter edition of the Salisbury Review is now on-line here. It covers the issues surrounding James MacMillan's St John Passion and the issues of possible anti-semitism that the text raises.
Subscribe to:
Post Comments (Atom)
Popular Posts this month
-
Having recorded a disc of motets by Francois Couperin (see my review ), Edward Higginbottom and the choir of New College Oxford have turne... -
London, ca.1740: Handel's musicians : Charles Weideman, Giuseppe Sammartini, Pietro Castrucci, George Frideric Handel, James Oswald; L... -
Carl Heinrich Graun Carl Heinrich Graun: opera arias; Valer Sabadus, {oh!} Orkiestra, Martyna Pastuszka; Bayreuth Baroque Opera Festival at ... -
Handel, Corelli, Sammartini, Geminiani, Castrucci, Blow, Smith; Olwen Foulkes, Nathaniel Mander, Carina Drury, Toby Carr, Tabea Debus;... -
David Allinson and The Renaissance Singers at Holy Sepulchre London, The Renaissance Singers is a chamber choir with a difference. One of Lo... -
Manuscript score, signed by the composer and the performers of the premiere One of England’s greatest choral works, Elgar’s The Dream of Ger... -
The Stationers' Hall where Purcell's Hail, Bright Cecilia was premiered in 1692 Humfrey: O Lord my God , Blow: I was glad , Purcell:... -
Some of the 2025 LSO Conservatoire Scholars (Photo: ©Kevin Leighton) Last night, 2 February 2026, was the LSO Conservatoire Scholarships 20... -
Julian Chan The Royal Academy of Music’s Bicentenary Series on Linn Records offers industry-level recording experience and the chance to r... -
Elgar: The Kingdom ; Francesca Chiejina, Sarah Connolly, Benjamin Hulett, Ashley Riches, Crouch End Festival Chorus, Hertfordshire Chorus, L...
No comments:
Post a Comment