To St. George's Church, Hanover Square on Tuesday for the opening concert of this year's London Handel Festival. We were treated to Belshazzar with Andrew Kennedy in the title role. As usual sitting on the hard pews for the length of an entire oratorio was a strain, even though we had a brilliant view perched in front of the organ.
Length considerations meant that we were given a version of the oratorio based on what Handel planned to perform in 1745. It struck me that it was a shame that the festival doesn't seem to perform these big works at weekends. Then we could hear oratorios in a more leisurely fashion without either having to cut them or to worry about getting to the start of the concert straight after work. Festival conditions should surely be the ideal time to experiment with performing everything that Handel wrote for the première of Belshazzar
Thursday, 25 February 2010
Subscribe to:
Post Comments (Atom)
Popular Posts this month
-
Britten: Violin Concerto - Simone Lamsma, Andrew Manze, Royal Liverpool Philharmonic - BBC Proms (Photo: BBC/ Chris Christodoulou) Vaughan...
-
A drawing of Joyce (with eyepatch) by Djuna Barnes from 1922, the year in which Joyce began the 17-year task of writing Finnegans Wake Alast...
-
Bach: Mass in B Minor - Arcangelo - BBC Proms (Photo: BBC / Chris Christodoulou) Bach: Mass in B minor ; Jeanine De Bique, Eva Zaïcik, Hugh...
-
National Children’s Choir of Great Britain's Blue Choir & Soundabout in workshop (Photo: Milly March) A collaboration between the Na...
-
Edward Longstaff: The History of Mr. Polly: Part One - Robin Bailey - Tête à Tête: The Opera Festival at the Cockpit (Photo Claire Shovelto...
-
Patrick Lange Opera North 's forthcoming Autumn season has an interesting element of compare and contrast to it. Patrick Nolan's new...
-
Handel's Italians : Italian castrati in the London oratorios - music from Handel's Esther, Deborah, Athalia, Belshazzar, Messiah,...
-
Berlioz: La Damnation de Faust - Les Siècles - BBC Proms (Photo: BBC/Mark Allan) Berlioz: La Damnation de Faust ; John Osborn, Véronique G...
-
Fromental Halévy (1799-1862) was one of the mainstays of French opera in the 19th century. A pupil of Cherubini, his opera La Juive (1835) w...
-
The Tempest (the masque in Part Two) - Vache Baroque (Photo: The Photography Shed) The Tempest - Shakespeare, Matthew Locke, Henry Purcel...
No comments:
Post a Comment