Garsington Opera's 2016 season this year encompasses Tchaikovsky's Eugene Onegin, Mozart's Idomeneo and Rossini's L'italiana in Algeri with some notable casts including role debuts from Toby Spence, Roderick Williams, and Natalya Romaniw.
There are two notable role debuts in Eugene Onegin making the production rather intriguing, Roderick Williams in the title role and Natalya Romaniw as Tatyana. Cardiff Singer of the World 2015 finalist Ukrainian tenor Oleksiy Palchykov is Lensky, and Brindley Sherratt is Gremin. To add to this, Michael Boyd (who only made his operatic debut last year with the Royal Opera House's striking Orfeo at the Roundhouse last year) directs and he has the advantage of being a fluent Russian speaker. Douglas Boyd, Garsington Opera's artistic director, conducts.
Toby Spence will be making his role debut in the title role of Idomeneo, with Caitlin Hulcup as Idamante (hurrah, the Munich version rather than the Vienna one), with Louise Alder as Ilia, and Rebecca von Lipinski as Elettra. Tim Albery directs and Tobias Ringborg conducts.
The choreographer Will Tuckett, who recently directed the Royal Opera's Elizabeth, will be directing L'italiana in Algeri, with the young Turkish mezzo-soprano Ezgi Kutlu as Isabella, Mary Bevan as Elvira, Luciano Botelho as Lindoro, Geoffrey Dolton as Taddeo and Quirijn de Lang as Mustafa. David Parry conducts, his thirteenth Rossini opera for Garsington. As this is an opera where Isabella is often played by a mature singer and Mustafa is similarly mature, it will be interesting to see it with a cast of predominantly young singers under Will Tuckett's lively direction.
The final stage offering involves a collaboration with Mark Baldwin, Choreographer and Artistic Director of Rambert, to bring a realisation of Haydn's The Creation through music and dance, with 40 dancers from Rambert and the Rambert School of Ballet and Contemporary Dance joined on stage by Garsington Opera’s orchestra and chorus with soloists Sarah Tynan (soprano), James Gilchrist (tenor) and Neal Davies (bass). Designs are by renowned visual artist Pablo Bronstein, whose site specific work for the Duveen Galleries at Tate Britain opens in April, will add a spectacular visual dimension to Haydn’s music.
Full details from the Garsington Opera website.
Wednesday, 3 February 2016
Subscribe to:
Post Comments (Atom)
Popular Posts this month
-
Having recorded a disc of motets by Francois Couperin (see my review ), Edward Higginbottom and the choir of New College Oxford have turne...
-
Carl Heinrich Graun Carl Heinrich Graun: opera arias; Valer Sabadus, {oh!} Orkiestra, Martyna Pastuszka; Bayreuth Baroque Opera Festival at ...
-
Handel: Ariodante - Royal Opera House (Photo: Bill Knight/RBO) Handel's Ariodante; Jacquelyn Stucker, Emily D'Angelo, Christophe D...
-
Grieg: Lyric Pieces, Op. 71 , Moods, Op. 73, Peer Gynt Suite, Op. 46 , transcriptions of Songs, Op. 41 - Alexander Ullmann - Rubicon Cla...
-
Weber: Der Freischütz - Theatre de Champs Elysees - Photo Julien Benhamou Carl Maria von Weber Der Freischütz ; Stanislas de Barbeyra...
-
Gimnazija Kranj Symphony Orchestra I get all sorts of mail, people sending my information on concerts and recordings. Everything gets gl...
-
The 77th edition of the Aldeburgh Festival comes round in flaming June while marking the 50th anniversary of Benjamin Britten’s death and, t...
-
Love and Loss: Elena Firsova, Dmitri Smirnov; Rudersdal Chamber Players; OUR Recordings Reviewed 15 December 2025 The Danish contemporary m...
-
The Stationers' Hall where Purcell's Hail, Bright Cecilia was premiered in 1692 Humfrey: O Lord my God , Blow: I was glad , Purcell:...
-
David Allinson and The Renaissance Singers at Holy Sepulchre London, The Renaissance Singers is a chamber choir with a difference. One of Lo...

No comments:
Post a Comment