George Petrou (Photo: Alciro Theodoro Da Silva) |
The opera staging this year focuses not on one of Handel's operas but on arias discarded by the composer, usually for dramaturgical reasons. George Petrou has fashioned a pasticcio using these arias with a plot based on Balzac's novella, Sarrasine about the sculptor Sarrasine's love for a singer, Zambinella, regarding her as his ideal woman but who proves to be a castrato performing female roles. Counter-tenor/sopranist Samuel Marino as Zambinella. The production is directed by Laurence Dale and George Petrou conducts.
Before the festival proper there is a pre-opening tempter, former festival artistic director Nicholas McGegan conducts the NDR Radiophilharmonie in Handel's early oratorio Deborah. Then the festival proper opens with Handel's Italian oratorio, Il Trionfo del Tempo e del Disinganno with Petrou conducting the festival orchestra and counter-tenor Xavier Sabata as Disinganno, whilst later comes Israel in Egypt.
Modern reflections include Handel on the saxophone with Lutz Koppetsch, Michel Godara playing that rare instrument, the serpent, jazz singer Efrat Afony, alongside performances from more well-known names including Andrew Foster-Williams, Emoke Barath, Ruby Hughes and Juan Sancho. And of course, there is the festival's Handel competition too.Full details from the festival website.
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