To the Royal Albert Hall last night for Prom 10, performed by the BBC Philharmonic Orchestra, Yevgeny Sudbin (piano) and Yan Pascal Tortelier (conductor). The programme consisted of Bax's In memoriam, Rachmaninov's 1st Piano Concerto and Vaughan Williams's 4th Symphony.
The Bax has long been known in short score but it was assumed that Bax had never orchestrated it. It was written in memory of an Irish Patriot who died in the Easter Uprising. Not surprisingly there was no performance during Bax's lifetime. In 1998 a full score came to light in a publisher's basement! The piece has been recorded but never performed in public. It proved to be a highly atmospheric piece, to my ears very reminiscent of Hamilton Harty's Irish themed tone poems.
Sudbin gave a highly poetic account of the solo part in the Rachmaninov, proving himself well able to stay on top of the cascades of notes. The results were dazzling, though there were moments when Tortelier allowed the robust orchestration to dominate the piano. I would have liked a bit more robust rawness in Sudbin's playing, but his account erred on the positive side.
In the 2nd half we had RVW's corruscating symphony in a performance which took no prisoners. From the opening dissonant motto theme, it was obvious that Tortelier's account of the score was one which emphasised the European links of RVW's music and played down the pastoral English element which is still present even in this symphony. In the 2nd movement Tortelier conjured an eerie world which was extremely reminiscent of the bi-tonal scores of RVW's friend Holst. For the finale the orchestra finished the performance is towering form. Their and Tortelier's account seemed to play up the dissonant, hard edged side of the score which played up its links with European music. A terrific performance and a fabulous slant on a familiar work.
Friday, 25 July 2008
Subscribe to:
Post Comments (Atom)
Popular Posts this month
-
Britten: Violin Concerto - Simone Lamsma, Andrew Manze, Royal Liverpool Philharmonic - BBC Proms (Photo: BBC/ Chris Christodoulou) Vaughan...
-
A drawing of Joyce (with eyepatch) by Djuna Barnes from 1922, the year in which Joyce began the 17-year task of writing Finnegans Wake Alast...
-
Edward Longstaff: The History of Mr. Polly: Part One - Robin Bailey - Tête à Tête: The Opera Festival at the Cockpit (Photo Claire Shovelto...
-
Bach: Mass in B Minor - Arcangelo - BBC Proms (Photo: BBC / Chris Christodoulou) Bach: Mass in B minor ; Jeanine De Bique, Eva Zaïcik, Hugh...
-
Fromental Halévy (1799-1862) was one of the mainstays of French opera in the 19th century. A pupil of Cherubini, his opera La Juive (1835) w...
-
Patrick Lange Opera North 's forthcoming Autumn season has an interesting element of compare and contrast to it. Patrick Nolan's new...
-
National Children’s Choir of Great Britain's Blue Choir & Soundabout in workshop (Photo: Milly March) A collaboration between the Na...
-
The Red House, Aldeburgh (Photo: Britten Pears Arts) Highlights of this very special weekend (Friday-Sunday, 4th-6th December) honouring the...
-
Gerald Finzi: The Dance Continued, recording session - Nick Pritchard, Ian Tindale [Photo: Jan Capinski] Gerald Finzi is a composer whose m...
-
Handel's Italians : Italian castrati in the London oratorios - music from Handel's Esther, Deborah, Athalia, Belshazzar, Messiah,...
There is some thing thrilling in blowing the dust of a long lost piece (that nobody new existed) and playing it in front of a live audience for the first time.
ReplyDeleteThis kind of concert would necessarily have a very special energy to it.