As part of the Handel centenary celebrations, Radio 3 is planning to broadcast all 42 of his operas. They span a remarkable 40 year period of his career and the vast majority were written for London. Yet the remain very little known. Most ordinary opera goers have heard only a tiny handful. A Handel freak like myself has heard less than half of them in 30 years of opera going. if you're interested the ones I've seen are:- Agrippina, Alcina, Ariodante, Flavio, Lotario, Giulio Cesare, Giustino, Radamisto, Rinaldo, Rodelinda, Orlando, Partenope, Poro, Serse, Siroe, Scipione, Tamerlano, Teseo, Tolomeo.
One problem with the operas is that to the uninitiated they can all sound the same. This seems to apply to Emma Pomfret whom the Guardian persuaded to listen to all 42 operas and write about it in an article in the Guardian which would almost be enough to put you off listening to Handel again.
Of course, to the uninitiated everything can sound the same. If you don't like Puccini, or are resistant to his charms, then inevitably all his music sounds alike. Handel, on stage, suffers also from problems with the way it is produced and poor dramaturgy is something which I've come across repeatedly on stage. For Handel to work you've got to understand the structure of opera seria and the arias. A good producer can help a newcomer appreciate Handel's stylised world, a poor producer can make the operas sound pointless. But when listening, you've got to do the work yourself. Throughout his career Handel played with form. The earlier London operas are a bit hide-bound by the requirements of the opera company's noble sponsors who seemed to expect Serious Opera. Later in his career Handel was able to be more flexible and to create a dramatic point by playing with our expectations, particularly in the moments where he fails to deliver the da capo just when we think it is coming. To appreciate this though, you've got to follow what is going on.
So listening to the Complete Handel will require work, but it will be rewarding. I'm not going to be able to hear it live, the BBC are broadcasting it in the Afternoons. But I will definitely be using their Listen Again activity.
Monday, 5 January 2009
Subscribe to:
Post Comments (Atom)
Popular Posts this month
-
Maurice Greene (1696 - 1755) is one of that generation of English composers who grew up in Handel's shadow. Handel, a composer who se...
-
Hugo Wolf Goethe Lieder, part 1 ; Louise Alder, Fflur Wyn, Katarina Karneus, Rowan Hellier, Adrian Thompson, Roderick Williams, Neal Davie...
-
Back in the late 1990s one of the origins for ideas for new musical works was the moment during mass when I tuned the homily out and my mind...
-
Walton: Cello Concerto - Jonathan Aasgaard, John Wilson, Sinfonia of London - BBC Proms at Royal Albert Hall (Photo: BBC / Chris Christodo...
-
Joan Rodgers CBE (Photo Groves Artists) Rachmaninov, Arensky, Prokofiev, Viardot, Scriabin, Shostakovich; Joan Rodgers, Michael Mofid...
-
These discs from the choir of New College, Oxford, under Edward Higginbottom, represent an admirable survey of Britten's unaccompanied...
-
John Wilson & Sinfonia of London at Cheltenham Town Hall, Cheltenham Music Festival (Photo: Still Moving Media for Cheltenham Festivals)...
-
Leonora d'Este Musica quincum voce ; Musica Secreta, Celestial Sirens, Deborah Roberts, Laurie Stras; Obsidian Reviewed by Ro...
-
Verdi: Un ballo in maschera; Elin Pritchard, Matteo Desole, Dario Solari, Rosalind Plowright, dir: Rodula Gaitanou, City of London Sinfoni...
-
Alex Paxton (Photo Peter Tainsh) Alex Paxton has been nominated for three works in two categories in this year's Ivors Composer Awards ...
No comments:
Post a Comment