To the Barbican Centre last night for The Sixteen's performance of Handel's Samson (a review will appear in due course). Their 1996 recording of the work lasts some 205 minutes so we were not surprised to find the concert starting at 6.30pm, though getting to the Barbican by this time is always quite a challenge unless you have the sort of job where its OK to leave early. Not surprisingly the hall seemed to be full of rather flustered and stressed audients.
The programme said that there was only 1 interval, after Act 1, which was a surprise. In fact the work was cut, quite significantly. The article in the programme mentioned that it was common to cut the work, because of its length, but entirely failed to specify what cuts had been made. Surely some mention should have been made of the fact that three entire characters had disappeared!
In fact the cuts were such that we lost around 40 minutes of music and the concert finished at 9.30pm. Why on earth did the management of the Barbican Centre put us through the stress of arriving for a concert at 6.30pm if it was scheduled to last only 3 hours. We could have 1) started the concert later, 2) had more music, or 3) had two intervals. Or even a combination of the above.
All I can think is that when the concert was originally programmed, no-one had decided on the cuts so it was assumed that the work would be done full length. This isn't the first time that this has happened at the Barbican, its almost as if they delight in making us struggle to enjoy the music.
Friday, 13 February 2009
Subscribe to:
Post Comments (Atom)
Popular Posts this month
-
Hugo Wolf Goethe Lieder, part 1 ; Louise Alder, Fflur Wyn, Katarina Karneus, Rowan Hellier, Adrian Thompson, Roderick Williams, Neal Davie...
-
Mozart: Don Giovanni - Ensemble OrQuesta at Grimeborn Festival, Arcola Theatre (Photo: Julian Guidera) Mozart: Don Giovanni ; Marcio da Sil...
-
Maurice Greene (1696 - 1755) is one of that generation of English composers who grew up in Handel's shadow. Handel, a composer who se...
-
Back in the late 1990s one of the origins for ideas for new musical works was the moment during mass when I tuned the homily out and my mind...
-
Ilona Domnich as Stella - Offenbach's The Tales of Hoffmann , English Touring Opera, © Richard Hubert Smith Offenbach The Tal...
-
John Andrews at recording sessions for his disc of Sullivan songs When conductor John Andrews and I met up for a chat recently, it was the ...
-
Jeffery Babb In music, as in many other subjects, an inspiring teacher can make the world of a difference to the way children, and adult...
-
Elena Xanthoudakis, John-Colyn Gyeantey - Donizetti Pia de'Tolomei - English Touring Opera - photo Jane Hobson Donizetti Pia de...
-
Handel: Serse - Paula Murrihy, Louise Alder - Academy of Ancient Music, the Barbican (Photo: Mark Allan) Handel: Serse; Paula Murrihy, Loui...
-
Opera North is taking its acclaimed concert staging of the Ring Cycle on tour in 2016 and will be performing two cycles in Leeds Town Hall...
No comments:
Post a Comment