To the Barbican yesterday to see Les Arts Florissants perform Dido and Aeneas in the Barbican Hall. The performance was based on a staged version, but we saw a reduced but no less impressive version with no sets and a simplified lighting plot.
I was lucky enough to attend the rehearsal before hand, where it was fascinating watching Christie and his performers fitting the performance to the new space. All were impressive both in rehearsal and in performance. It is always amazing to watch the transformation that comes over a cast between rehearsal and performance, the magic of live theatre. For musical director who seems to keep to a minimum what he does in a performance, Christie proved to be highly articulate and keenly aware of all the details which he required, from orchestral articulation through to lighting and the pronunciation of awkward English vowels.
My full review of the performance will appear in the next few days.
Sunday, 11 October 2009
Subscribe to:
Post Comments (Atom)
Popular Posts this month
-
Inner Temple Hall in its modern incarnation built in the 1950s Handel: Solomon; Tim Mead, Rowan Pierce, Hilary Cronin, Frances Gregory, Anna...
-
Britten: Death in Venice - Antony César (Tadzio), Frederico Saggese (Jaschiu) - Welsh National Opera (Photo Johann Persson) It was one of t...
-
Janine Jansen, Martha Argerich, Mischa Maisky - Le Piano Symphonique, Lucerne (Photo: Philipp Schmidli, Luzerner Sinfonieorchester) Baroque ...
-
What about blowing the box to pieces: composer Eímear Noone on writing for video games, films and TVEímear Noone (Photo: Andy Paradise) Dublin and LA-based composer Eímear Noone is known for her scores for video games, films and TV. She re...
-
Paul Verlaine and Arthur Rimbaud A Dangerous Obsession: The Relationship of Paul Verlaine and Arthur Rimbaud ; Ben Vonberg-Clark, Julien...
-
J.M.Synge's Riders to the Sea at the Abbey Theatre, Dublin Ralph Vaughan Williams' operatic masterpiece, Riders to the Sea , his 19...
-
Can one person make a difference? Horrified by the climate crisis, teenager Lola decides that she must fight for the future. Composer Jonat...
-
Ben Goldscheider & Gavin Higgins at the London premiere of Gavin Higgins' Horn Concerto with London Chamber Orchestra (Photo: Jerom...
-
Robert and Clara Schumann Schumann: Eichendorff Liederkreis , Clara Schumann: Gedichte aus Rückerts Liebesfrühling , Brahms: Four Serious So...
-
Mozart's Idomeneo is regarded as his first mature opera, written for Munich in 1781. The subject may not have been Mozart's choice ...
Hello! I work at the Barbican and was lucky enough to see this fantastic performance! I did not want it to end. Glad you also enjoyed it - I look forward to reading the rest of your review (once it is up - I'll add a link to it in our discussions section of our Barbican Classical Music facebook group if that is ok?)
ReplyDeleteMy full review is up on the Music and Vision web site here:-
ReplyDeletehttp://www.mvdaily.com/articles/2009/10/dido.htm