To the Barbican last night for Mark Minkowski's wonderful performance of Handel's Alcina with Inga Kalna in the title role (replacing Anja Harteros). The only complaint was my usual one about the placing of intervals. The opera started at 6.30pm and finished at 10.20pm, and Minkowski performed the opera complete with the dances at the end of Acts 2 and 3. The only trouble, there was just 1 interval. This was advertised as being at the end of Act 1, giving us the prospect of a second half lasting well over 2 hours. In the event, the interval was placed after Alcina's first aria which gave us roughly a first half of 2 hours and 2nd half of 90 minutes. But, given the timings, couldn't we please have two intervals. Handel constructed his operas very carefully, and they respond far better to having the intervals in the correct places. Not to speak of having to sit in the auditorium for 2 hours continuously!
Whilst we are in querelous mood...
We used the Barbican's new Red Room, which is designed for their new membership category. It is a pleasant bar with views overlooking the foyers, serving food and drink. Only, it seems to have been designed for young people in mind. Like the re-design of the waterside cafe, the designers would seem to have designed the interior for a young audience. Whereas that at the Great Performers concerts would seem to be older, one not inclined to sit on bar stools and one preferring to sit in independently and not compressed into groups.
Sunday, 5 December 2010
Subscribe to:
Post Comments (Atom)
Popular Posts this month
-
Britten: Albert Herring - Dan D'Souza, Caspar Singh - ENO 2025 (Photo: Genevieve Girling) Britten: Albert Herring ; Caspar Singh, Emma...
-
Having recorded a disc of motets by Francois Couperin (see my review ), Edward Higginbottom and the choir of New College Oxford have turne...
-
Gluck: Iphigenia in Tauris - Danny Shelvey (Orestes) & the Furies - Blackheath Halls Opera (Photo: Julian Guidera) Gluck: Iphigenia in ...
-
The Siege of Florence (1558) by Giorgio Vasari, Palazzo Vecchio, Florence San Matteo in Arcetri is the reddish building in the bottom left ...
-
Britten: The Rape of Lucretia - Jenny Stafford, William Morgan - English Touring Opera (Photo: © Richard Hubert Smith) Britten: The Rape of...
-
Hummel: Quintet, Bertini: Grand Sextuor; Sestetto Classico; MDG Reviewed by Andreas Rey (22 September 2025) Two large-scale chamber works fr...
-
What about blowing the box to pieces: composer Eímear Noone on writing for video games, films and TVEímear Noone (Photo: Andy Paradise) Dublin and LA-based composer Eímear Noone is known for her scores for video games, films and TV. She re...
-
Adam's Lament: Arvo Pärt at 90 - Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Tõnu Kaljuste - Barbican Hall (Photo: ...
-
Rossini: Ermione - Beth Taylor (Ermione) - Jakob Lehmann, Orchestra Révolutionnaire et Romantique at Cadogan Hall (Photo: Paul Marc Mitche...
-
Mozart: Zaide - Lea Desandre, Johannes Martin Kränzle, Pygmalion - Salzburg Festival (Photo: SF/Marco Borrelli) Mozart: Zaide oder der Weg...
No comments:
Post a Comment