Havering

I am currently going back over the 18 motets in the latest instalment of my Tempus per Annum project (washing their faces as RVW would have called it). This is when I get terminal indecision. Not about the notes, but about dynamics, barring, keys and tempi. Tempi are the worst. As the motets all inhabit a world which is influenced by my singing of Renaissance polyphony and plainchant, none are really slow or really fast and I worry incessantly about their metronome and other markings. Ditto dynamics, though I am usual more decisive here.

I keys and barring can also be a problem, as you want to notate the piece in a way that makes it easiest to sing and my use of en-harmonic changes etc can be problematic. Still, we are getting there though I am sure that there will be things that I want to change a year from now