The theme of this year's London Festival of Baroque Music is Baroque at the Edge. The festival, which runs from 12 to 20 May 2017, celebrates the 450th anniversary of the birth of Monteverdi and the 250th anniversary of the death of Telemann, Monteverdi is represented by two of his major works, though Telemann is less favoured. Telemann's friend Handel is well represented with Handel's final oratorio.
Mining the Monteverdi theme, Vox Luminis and the Freiburg Baroque Orchestra will perform Monteverdi's Vespers of 1610 at St John's Smith Square. And L'Orfeo will be done in a semi-staging directed by Thomas Guthrie at St John's Smith Square, with Matthew Long in the title role, plus I Fagiolini and the English Cornett and Sackutt Ensemble, directed by Robert Hollingworth.
Christian Curnyn and the Early Opera Company, with Lucy Crowe and Tim Mead, will be performing music by CPE Bach and WF Bach, alongside Pergolesi's Stabat Mater, I am sure the Pergolesi will be wonderful but couldn't we have had something a little different, perhaps JS Bach's re-write? Still in a Bach vein, James O'Donnell directs the choir of Westminster Abbey and St James's Baroque in Bach's Mass in B minor at Westminster Abbey. Bach would be surprised at the size of the forces used and at the size of the venue, but it will be wonderful nonetheless.
A visit by the European Union Baroque is always a highlight and Lars Ulrik Mortensen directs them in the Harpsichord Concerto in A and the Wedding Cantata by Bach, plus arias and a concerto grosso by Handel. Handel's Jephtha closes the festival, with Nick Pritchard in the title role, and Stephen Layton conducting the Holst Singers and the Academy of Ancient Music.
In the vein of mixing things up, Jean Rondeau (harpsichord) and Thomas Dunford (lute), join with oriental percussionist Kyvan Chemirani to explore the meeting of European Baroque with traditional Persian music.
Other artists performing include harpsichordist Jean Rondeau, Elin Manahan Thomas and Florilegium, director Ashley Solomon, and Les Passions de l'Ame. The festival's young artist strand, Future Baroque, will be featuring Ensemble Moliere, Ensemble Hesperi, and Nathaniel Mander.
Full details from the London Festival of Baroque Music website.
Subscribe to:
Post Comments (Atom)
Popular Posts this month
-
Handel: Semele - Pretty Yende, Niamh O'Sullivan (Photo: Vincent Pontet) Handel: Semele ; Pretty Yende, Ben Bliss, Alice Coote, Brindley ...
-
Verdi: La Traviata - Alison Langer, Ellie Edmonds - Opera Holland Park 2025 (Photo: Ali Wright) Verdi: La Traviata ; Alison Langer, Matteo...
-
Great British Classics - BBC Singers, BBC National Orchestra of Wales, Nil Venditti - BBC Proms 2025 (Photo: BBC / Chris Christodoulou) Gre...
-
Estonian Philharmonic Chamber Choir, Tõnu Kaljuste - BBC Proms at the Royal Albert Hall (Photo: BBC/Chris Christodoulou) Arvo Pärt, Galina ...
-
Donizetti: Lucia di Lammermoor - Tabitha Reynolds (ghost), Jennifer France - Opera Holland Park (Photo: Ali Wright) Donizetti: Lucia di La...
-
What about blowing the box to pieces: composer Eímear Noone on writing for video games, films and TVEímear Noone (Photo: Andy Paradise) Dublin and LA-based composer Eímear Noone is known for her scores for video games, films and TV. She re...
-
Having recorded a disc of motets by Francois Couperin (see my review ), Edward Higginbottom and the choir of New College Oxford have turne...
-
Wagner: Tristan und Isolde (Act 1) - Ekaterina Gubanova (Brangäne), Andreas Schager (Tristan), Jordan Shanahan (Kurwenal), Camilla Nylund (...
-
Recorder concertos from Sanssouci : Quantz, CPE Bach, Benda, Graun, Isaac Makhdoomi, Ensemble Piccante; Prospero In Wilhelmine's footste...
-
Bernstein: Trouble in Tahiti - Charles Rice, Allison Cooke - Buxton International Festival (Photo: Genevieve Girling) Leonard Bernstein: Tr...
No comments:
Post a Comment