The Turkish composer Can Atilla is not a name well known in Western Europe, he has written for film and television and his output has included electronic and new-age music. His Symphony No. 2 'Gallipoli – The 57th Regiment' was written for the 2015 centenary of the Gallipoli campaign and is dedicated to all those who died, both the soldiers of the 57th Turkish regiment, all of whom perished in one of the worst battles of World War I, but the Australian and New Zealand (ANZAC) troops who died on the other side. There is a chance to hear the symphony live tonight (5 April 2018) at Cadogan Hall performed by the Royal Philharmonic Orchestra, conductor Burak Tüzün (Director of the Haceteppe University Symphony Orchestra and lecturer at the Ankara State Conservatoire) with Angela Ahıskal (soprano) and Onur Şenler(cello).
The symphony is being performed as part of a Gallipoli Friendship Concert, presented by the Yunus Emre Institute (a body which promotes Turkish culture), which commemorates those who lost their lives in the 1915-16 Gallipoli Campaign, and build on the enduring legacy of friendship it inspired between Turkey and the Commonwealth. The evening also included in the concert is music by Vaughan Williams, Butterworth and Elgar, plus a reading from Louis de Bernieres from his novel Birds Without Wings, which is partly set in Gallipoli.
Can Atilla's symphony is a substantial piece (the recording on Naxos lasts nearly 55 minutes), which takes the form of two movements forming a sinfonia concertante for cello, and then two movements setting texts, Atatürk’s words, committing the fallen 'Johnnies and Mehmets' to Turkish soil; and a poem by the First World War Australian writer John le Gay Brereton.
Burak Tüzün's recording of the symphony is available on Naxos and you can read a review on the MusicWeb International website.
Further details from the Cadogan Hall website.
Subscribe to:
Post Comments (Atom)
Popular Posts this month
-
Grieg: Lyric Pieces, Op. 71 , Moods, Op. 73, Peer Gynt Suite, Op. 46 , transcriptions of Songs, Op. 41 - Alexander Ullmann - Rubicon Cla...
-
Having recorded a disc of motets by Francois Couperin (see my review ), Edward Higginbottom and the choir of New College Oxford have turne...
-
Hans Krasa: Brundibar - Kayla Farrell (Brundibar) - Sarasota Opera (Sarasota Youth Opera) Raise up your voice: Intolerance through the voice...
-
Christopher Gray and the Choir of St John's College, Cambridge The Advent Carol Service: Judith Weir, Laura Sheils, Paul Manz, Mendelss...
-
Verdi: Macbeth - Alexey Gusev, Mari Wyn Williams - Chelsea Opera Group (Photo: Matthew Johnson) Verdi: Macbeth (1865); Alexey Gusev, Mari ...
-
James Pearson & Lizzie Ball (Photo: Monika C Jakubowska) In February 2026, the upstairs space at Ronnie Scott 's will reopen as Upst...
-
Handel: Partenope - English National Opera (Photo: Lloyd Winters) Handel: Partenope ; Nardus Williams, Hugh Cutting, Ru Charlesworth, Jake ...
-
Odaline de la Martinez (Photo: Malcolm Crowther) Born in Cuba, and brought up in the USA, and based in the UK, in this guest posting compose...
-
Gimnazija Kranj Symphony Orchestra I get all sorts of mail, people sending my information on concerts and recordings. Everything gets gl...
-
The Stationers' Hall where Purcell's Hail, Bright Cecilia was premiered in 1692 Humfrey: O Lord my God , Blow: I was glad , Purcell:...

No comments:
Post a Comment