Oliver Leith (Photo © Anton Lukoszevieze) |
Leith’s forthcoming opera will explore how to create a theatrical world in opera, through the shifts between diegetic and non-diegetic sounds (sounds audible to actors versus sounds meant only for the audience) a convention regularly used in film to support the creation of mood and atmosphere. Interested in composing in ways which explore visual (rather than textual) stimulus, Leith will take inspiration from moments in cinema that have made a particularly strong impression on him.
The current Doctoral Composer-in-Residence is Matt Rogers, and his opera She Described it to Death will premiere at the Linbury Theatre on 17 July 2020. The inaugural Doctoral Composer-in-Residence was Philip Venables and his opera 4.48 Psychosis [see my review], which premiered in May 2016, has won numerous awards including the UK Theatre Award for Achievement in Opera (2016), the Royal Philharmonic Society Award for Large-Scale Composition (2017) and the British Composer Award for Stage Work (2017). It was also nominated for the Olivier Award for Best New Opera Production (2017) and the South Bank Sky Arts Award for Best Opera (2017).
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