Monday, 16 April 2007

We have not been to see Philip Glass's Satyagraha at the London Coliseum. Not because of lack of interest, but lack of time. Both this and Koanga (at Sadlers Wells) have fallen foul of the fact that we simply have too much going on this month. (Notably, of course, my own recording, but much else besides).

Still, I have been following avidly the critical response to Satyagraha in the press, partly because I have a love/hate relationship to Glass's music; I must confess that the last full length work of his I heard live was Akhnaten at ENO many years ago.

Generally the critical response to the new production has been positive. But Rupert Christiansen writing in the Telegraph,most definitely did not like it: it contains some of the most mind-numbing, brain-rotting and soul-destroying noise that has ever passed for music, and I would sooner sit through 10 uncut performances of an obscure Handel epic than hear a note of it again.

Whereas for John Allison in The Sunday Telegraph, you should do anything (legal) to get a ticket. Take your pick on who to believe.

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