We went to see the Sixteen performing Handel's Saul on Tuesday (a review will appear eventually). It started at 6.30pm (!) and finished just after 9.30pm. I know that some people like early starts, but I still feel that 6.30pm is too early for a weekday when people work until 5.30pm. Especially as the Barbican's door policy is so haphazard. A few weeks ago D. was late for a concert (early start again) and was kept outside until the interval, despite suitable gaps and despite there being people let in. On Tuesday we received an email saying very firmly that there would be no late entry, D. was late as he worked until 6.00pm, but there were still people being let in late.
Could we please have a coherent and consistently applied door policy please. And if concerts start at 6.30pm could there be a decent reason, i.e. substantial length.
What was even more stupid on Tuesday was the the performance co-incided with Opera North in the Barbican Theatre performing Queen of Spades. This started at the normal time and the 2nd interval co-incided with us leaving Saul, so the opera goers were going to be finishing far later than Saul.....
Incidentally we bumped into a friend on leaving Saul and had a hilarious cross-purposes conversation where we each talked about the performance and compared notes, until we realised that one had been listening to Handel and the other Tchaikovsky!
Subscribe to:
Post Comments (Atom)
Popular Posts this month
-
Wagner: Das Rheingold - Deutsche Oper Berlin (Photo: Bernd Uhlig) Wagner: Der Ring des Nibelungen ; director: Stefan Herheim, conductor: Sir...
-
Mozart: Le nozze di Figaro - Andrey Zhilikhovsky, Masabane Cecilia Rangwanasha, Louise Alder, Alex Esposito - Royal Opera House (Photo: Mi...
-
Creative Minds in Song (2023) In this guest posting pianist Gavin Roberts, artistic director of Song in the City, introduces Creative Minds...
-
Sebastian Plano Grammy-nominated Argentine cellist and composer Sebastian Plano announces the release of his deeply personal new album, Sol...
-
John Andrews at recording sessions for his disc of Sullivan songs When conductor John Andrews and I met up for a chat recently, it was the ...
-
Mozart: The Marriage of Figaro - Timothy Nelson, Ellie Neate, Elinor Rolf Johnson - Wild Arts (Photo: Lucy Toms) Mozart: The Marriage of F...
-
Mozart: Idomeneo - Chelsea Opera Group, Paul Wingfield - Cadogan Hall Mozart: Idomeneo ; Andrew Henley, Eleanor Dennis, Lorena Paz Nieto, ...
-
Handel: Serse - Paula Murrihy, Louise Alder - Academy of Ancient Music, the Barbican (Photo: Mark Allan) Handel: Serse; Paula Murrihy, Loui...
-
Mozart's The Marriage of Figaro in rehearsal - Ellie Neate, Danielle de Niese, Jack Sandison - Wild Arts (Photo: Anastasia Tikhonova) W...
-
Franco Fagioli with the Orchestre de l’Opéra Royal de Versailles & Stefan Plewniak in Divonne-les-Bains in April 2026 (Photo: Jean-Chris...
No comments:
Post a Comment