Edward Henderson's Manspangled at the 2014 Tete a Tete Opera Festival |
On 16 March, Tom Randle's new piece A Telephone Call with a libretto by Randle himself and director Nina Brazier, features soprano Gillian Keith. The work observes two very different women experiencing extreme emotional states. Randle is perhaps best known for his work as a distinguished operatic tenor, but this is his second opera. Composer Edward Henderson and librettist Lavinia Murray's new piece Hum explores listening and perception, and includes a ten-strong chorus playing tuning forks, plastic rubbish and bells. Anyone who saw their piece Manspangled at Rough for Opera last year (see my review) will know that will will be in for something striking. VEAL by Leo Hurley (music) and Daniel Solon (libretto) is inspired by real life events and follows the final 12 hour journey of 25 year old Andrew "Andy" Veal from Athens, Georgia to his suicide at Ground Zero in 2004.
On 15 June, Aaron Holloway-Nahum’s The Strange Last Voyage of Donald Crowhurst (libretto by Peter Jones) looks at the real-life story of amateur yachtsman Donald Crowhurst’s doomed participation in the 1969 Sunday Times Golden Globe Race. Psychological Tales is three short dramatic works presented by the contemporary quartet The Hermes Experiment. Written by composer Jonathan Woolgar, Lloyd Coleman and Ed Scolding, the work weaves different psychological states with free improvisation from graphic scores. Josh Spear’s He/Himselfie with a text by Spear and Richard Dodwell, incorporates audio, video and movement to explore issues surrounding the male body.
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