All performers suffer from nerves, in one way or another, and they can often be a valuable factor in performance but rarely do musicians make it explicit that they are suffering from nerves. It is de rigeur for performers to seem poised and controlled, or at least usually. For the Orchestra of the Age of Enlightenment's (OAE) Night Shift tomorrow, Thursday 4 October 2018, the OAE's horn player Martin Lawrence will be exploring how performance anxiety affects musicians. Not by lecturing about it, but by performing.
Lawrence and the OAE will be performing Mozart but Lawrence will be voicing his anxieties into a looping pedal during the piece, thus creating a cacophony of nervous thought, giving the audience a sense of the overwhelming nature of performance anxiety. The evening will also feature explorations of the ‘two selves’ which musicians often have on-stage, and demonstrations of how the physical symptoms of anxiety can change a performance for the better. Audience members will be encouraged to tweet their own uncomfortable responses to the event. The performance is inspired by Martin Lawrence's PhD research which reveals that the physical symptoms of performance nerves, far from being a form of self-sabotage, which must be hidden, can actually improve the performance.
The event takes place as part of Thought Fest, a festival which is being presented by Regents Place (a real-estate area just north of Euston Road) and the Knowledge Quarter, which is a partnership between 87 knowledge-based institutions. The OAE's performance takes place in a temporary structure next to the New Diorama Theatre.
Further details from the Regent's Place website (tickets are free but have to be pre-booked)
Subscribe to:
Post Comments (Atom)
Popular Posts this month
-
What about blowing the box to pieces: composer Eímear Noone on writing for video games, films and TVEímear Noone (Photo: Andy Paradise) Dublin and LA-based composer Eímear Noone is known for her scores for video games, films and TV. She re...
-
Georges Bizet's Les Pêcheurs de Perles ; Julie Fuchs, Cyrille Dubois, Florian Sempey, L'orchestra nationale de Lille, Alexandre ...
-
Britten: Peter Grimes - Nicky Spence - Welsh National Opera, 2025 (Photo: Dafydd Owen) Britten: Peter Grimes; Nicky Spence, Sally Matthews,...
-
Mozart: Le Nozze di Figaro - Sarasota Opera, 2025 - (Photo: Robert Millington for Sarasota Opera) Mozart: Le nozze di Figaro , Verdi: Stiff...
-
Bach: Liebster Jesu, mein Verlangen - Olivier Stankiewicz, Lucy Crowe, ensemble led by Maria Włoszczowska - Wigmore Hall (taken from live s...
-
Libertas : Beethoven, Schubert, Beach, Marx; Äneas Humm, Doriana Tchakarova; Rondeau Production Reviewed 19 April 2025 The young Swiss barit...
-
Prokofiev: Suite from Semyon Kotko - Vladimir Jurowski, London Philharmonic Orchestra - Royal Festival Hall (Photo: Marc Gascoigne) Prokof...
-
Natalie Burch, James Way and Annemarie Federle at St Mary's Parish Church, Haddington where their recording of Britten's Canticles ...
-
Sunwook Kim & Chamber Orchestra of Europe - Barbican Centre (Photo: Ed Maitland-Smith/Barbican Centre) Anna Clyne: Stride , Beethoven: P...
-
Martin Owen, Manchester Camerata, Gábor Takács-Nagy at the Stoller Hall (Photo; Rob Everett) When horn player Martin Owen and I met to chat...
No comments:
Post a Comment