The South-African born composer John Joubert (based in the UK since the late 1940s) will celebrate his 90th birthday in 2017, and in celebration his opera Jane Eyre is being recorded on the SOMM label. The opera is being given in concert on 25 October 2017 (the work's world premiere) with Kenneth Woods conducting the English Symphony Orchestra at the Ruddock Performing Arts Centre, King Edward's Schools, Birmingham B15 2UA, and the performance is being recorded by SOMM. The performers include April Fredrick as Jane, David Stout as Rochester, Clare McCaldin as Mrs Fairfax and Mark Milhofer as Rev. St John Rivers. I caught up with soprano April Fredrick to find out more about the opera.
This was something picked up on by soprano April Fredrick (who plays Jane Eyre) when I spoke to her about the opera. She points up the fact that to transform such a well-beloved novel into an opera was a huge undertaking. She finds the level of detail in Joubert's writing impressive, as he has a clear grasp of musical psychology in the way that he transforms motifs. And though the writing can be tough and spiky it is lyrical too. April has been finding it an incredibly satisfying piece, musically rich on every level,
April had never sung any of Joubert's music before and as well as appreciating getting to know his music, she finds he writes well for the voice, and he aptly captures Jane's combination of a passionate nature with strong self control.
She has warm words too for Birkin's libretto, with its combination of carefulness and lushness. The compression necessary to turn the novel into an opera has been done with imagination. The first scene is an imagined confrontation between Jane and Mr Brocklehurst, as she is about to leave Lowood, which telescopes the first ten chapters of the book. This technique is used in other scenes, to put some of the back story into monologues. The libretto uses a lot of text verbatim, and the passages that are not feel a close version of the original.
Jane herself is a very big role, on stage for a lot of the time, and singing a great deal. In style, April feels that the dramatically well realised opera recalls Britten in the psychologically acute way Joubert writes, and for April you forget that singing is not the normal way of communications. Even in the most lyrical moments, Joubert adds something to the harmonic mix which keeps the music from being perfectly consonant all the time.
Joubert's opera is in three acts, but the performance on October 25 will be cut, re-shaping the work into two acts so that it fits onto two CDs. April does not feel that the essentials of the opera are lost,
It is very much a stage work, not a concert piece, and though the performance on 25 October is being given in concert April feels that it really deserves to be on the stage. The performance and subsequent recording will thus not only celebrate Joubert's 90th birthday, but hopefully will stimulate interest in the opera. April feels that it deserves to be seen and having got to know the work, she is amazed that it has never been done before.
SOMM records has previously celebrated Joubert's 80th and 85th birthdays with recordings so this 90th birthday tribute will be very apt indeed. Further information about the concert from the English Symphony Orchestra website. The SOMM recording of Joubert's Jane Eyre will be issued in March 2017