Poro on Tuesday at the Britten Theatre was superb, a review (with pictures) should appear in due course. We sat in the front row of the upper circle. In theory the view was fine, but it was not designed for short people - you had to sit very upright to see the front of the stage.
Tonight we're off to The Tempest at the Royal Opera House. I gather that Thomas Ades has not made much in the way of changes to the opera since it was premiered, which is a shame. I felt that it would have benefited from some re-shaping and pruning. But I may change my mind, I'll keep you posted.
I'm still having computer meltdown - my new PC has Microsoft Vista installed and I'm having the devils own job finding an ADSL modem to suit it.
Friday, 23 March 2007
Subscribe to:
Post Comments (Atom)
Popular Posts this month
-
Bizet: Carmen - Asmik Grigorian - Salzburg Festival (Photo: Virginia Rota) Bizet: Carmen ; Asmik Grigorian, Jonathan Tetelman, Kristina M...
-
Johann Strauss: Die Fledermaus - Alison Langer, Harry Wilson - Opera Holland Park (Photo: Craig Fuller) Johann Strauss: Die Fledermaus ; T...
-
Verdi: Un ballo in maschera; Elin Pritchard, Matteo Desole, Dario Solari, Rosalind Plowright, dir: Rodula Gaitanou, City of London Sinfoni...
-
Walton: Cello Concerto - Jonathan Aasgaard, John Wilson, Sinfonia of London - BBC Proms at Royal Albert Hall (Photo: BBC / Chris Christodo...
-
Mahler: Das Lied von der Erde - Jamie Barton, Anja Bihlmaier, BBC Philharmonic BBC Proms at Royal Albert Hall (Photo: BBC/Chris Cristodoulo...
-
Mozart: Cosi fan tutte - Lea Desandre, Victoria Karkacheva, Elsa Dreisig, Johannes Martin Kränzle, Andrè Schuen, Bogdan Volkov - Salzburg ...
-
Rossini: Il viaggio a Reims - Tara Erraught, Cecilia Bartoli - Salzburg Festival (Photo: Monika Rittershaus) Rossini: Il viaggio a Reims ; ...
-
Richard Strauss: Ariadne auf Naxos - Michael Porter (Scaramuccio), Lukas Enoch Lemcke (Truffaldin), Ziyi Dai (Zerbinetta), Leon Košavić (H...
-
Snape Maltings - photo Philip Vile Snape Maltings in Suffolk has an intriguing history, built as a maltings in the 19th century it owes...
-
The year is 1700, the cause of opera sung in English seems to have stalled. Henry Purcell has been dead for 5 years and the score of his F...
No comments:
Post a Comment