When I first visited the Theatre Royal Glasgow in 1976, the theatre was still a newly refurbished novelty. The auditorium was, and remains, a complete delight. But there was no disguising the fact that the foyer areas left something to be desired, despite being attractively designed.. Part of this stems from the fact that when the theatre was acquired originally by Scottish Opera, not all of the footprint of the original foyer space could be acquired. To a certain extent this has been remedied over the years, but the public spaces have remained rather resolutely cramped. Now this is seeking to be remedied.
Scottish Opera have started a campaign to raise £11.5 million to fund a new extension to the theatre in time for the 2014 Commonwealth Games. This extension will provide free and open access to all levels of the theatre, add a new cafe and bars, hospitality suites, lifts, plus a roof terrace and much needed education suite. 85% of the funds are in place, so there is just the final push to reach the goal. Of course, much of this is the detritus that every modern theatre seems to need, but in amongst all the bars, cafes and such, the plans remedy a real need. They seem set to transform the whole theatre going experience at the Theatre Royal, Glasgow.
The theatre is the oldest one in Glasgow and opened in 1867. The auditorium was re-built after a fire in 1879. In 1957 the theatre was bought by Scottish Television and used as a TV theatre, studios and offices. When Scottish Television moved to custom built premises, they offered the building to Scottish Opera. Scottish Opera bought the building, refurbished it creating new foyer space, a new main staircase and expanding the pit. Though owned by Scottish Opera, the theatre is now managed by the Ambassador Theatre Group.
The construction work for the new building will last around 18 months, but the theatre will only be closed for three months in early 2014.
More information from the Scottish Opera/Theatre Royal Glasgow website.
Elsewhere on this blog:
Wednesday 21 November 2012
Subscribe to:
Post Comments (Atom)
Popular Posts this month
-
Septura I first became aware of the brass septet, Septura , when noting their 2017/18 concert series Kleptomania at St John's Smith...
-
Britten: Death in Venice - Tim Mead, Leo Dixon - Royal Opera ((c) ROH 2019 photographed by Catherine Ashmore) 2019 seems to have b...
-
Mural: chamber music by Gabriel Vicéns; Stradivarius Reviewed 15 April 2024 At times fierce and concentrated, Gabriel Vicéns music can evok...
-
National Youth Orchestra of Great Britain, Jessica Cottis Catalyst : Coleridge-Taylor, Julius Eastman, Gavin Higgins, Dani Howard, Prokofiev...
-
Thomas Elwin as Lensky in Tchaikovsky's Eugene Onegin at West Green House Opera in 2021(Photo: Matthew Williams-Ellis) West Green House...
-
Ben Goldscheider Jörg Widmann, Beethoven, Schumann, Huw Watkins, York Bowen; Ben Goldscheider, Richard Uttley; Wigmore Hall Reviewed 17 Marc...
-
Bizet: Carmen, Act One - Blaise Malaba, Aighul Akhmetshina - Royal Opera House (Photo: ROH/Camilla Greenwell) Bizet: Carmen ; Aigul Akhmets...
-
Gimnazija Kranj Symphony Orchestra I get all sorts of mail, people sending my information on concerts and recordings. Everything gets gl...
-
Mozart: Don Giovanni - Hurn Court Opera (Photo: Patrick Frost, BlackStar Pictures) Mozart: Don Giovanni : Sam Young, Samuel Lom, Lizzie Ryde...
-
Leeds Lieder Young Artists 2024 at Howard Assembly Room Composers & Poets Forum Showcase: A Leeds Songbook; Leeds Lieder Festival at Le...
No comments:
Post a Comment