Another disc popped through my letter box of what might loosely be called popular music written by a classically trained musician. In this case Elliott Wheeler's album The Long Time. Elliott Wheeler is an Australian composer and producer who is one of the figures behind the music for Baz Luhrmann's film The Great Gatsby and has an impressive back catalogue of work in films. Classically trained, he studied composition at the Sydney Conservatorium. He has now released his debut studio album, The Long Time, in which each of the track on the album takes its inspiration from one of Wheeler’s favourite scenes from his most loved films of the 60′s and 70′s. The album features Wheeler's own haunting falsetto on vocals alongside Caitlin Park, Sui Zhen, Loen Carmen, Kristin Berardi and Melodie Nelson. The opening number, The Whilstler has no vocals, just Wheeler whistling.
There is certainly a cinematic feel to the writing, and whilst clearly modern in idiom Wheeler's style does evoke the past and he creates a nice big-band feel at times. Wheeler himself describes his style as 'Morricone meets Portishead via Cinematic Orchestra' and certainly a group like Anthony and the Johnsons springs to mind. Wheeler's film background can be detected in the richness and variety of the orchestrations, allied to a rather appealing melodic talent. And he isn't frightened of extended numbers, the opening track on the disc, The Whistler, lasts 4'23 and the closing track But It's Life 5'32.
If you fancy something different, then do give it a try. You can see and hear Baker Man on YouTube, featuring a a hand animated undersea video. The album can be downloaded now, and has physical release in the UK on 29 July.
Elsewhere on this blog:
Thursday, 20 June 2013
Subscribe to:
Post Comments (Atom)
Popular Posts this month
-
What about blowing the box to pieces: composer Eímear Noone on writing for video games, films and TVEímear Noone (Photo: Andy Paradise) Dublin and LA-based composer Eímear Noone is known for her scores for video games, films and TV. She re...
-
Georges Bizet's Les Pêcheurs de Perles ; Julie Fuchs, Cyrille Dubois, Florian Sempey, L'orchestra nationale de Lille, Alexandre ...
-
Britten: Peter Grimes - Nicky Spence - Welsh National Opera, 2025 (Photo: Dafydd Owen) Britten: Peter Grimes; Nicky Spence, Sally Matthews,...
-
Mozart: Le Nozze di Figaro - Sarasota Opera, 2025 - (Photo: Robert Millington for Sarasota Opera) Mozart: Le nozze di Figaro , Verdi: Stiff...
-
Bach: Liebster Jesu, mein Verlangen - Olivier Stankiewicz, Lucy Crowe, ensemble led by Maria Włoszczowska - Wigmore Hall (taken from live s...
-
Libertas : Beethoven, Schubert, Beach, Marx; Äneas Humm, Doriana Tchakarova; Rondeau Production Reviewed 19 April 2025 The young Swiss barit...
-
Prokofiev: Suite from Semyon Kotko - Vladimir Jurowski, London Philharmonic Orchestra - Royal Festival Hall (Photo: Marc Gascoigne) Prokof...
-
Natalie Burch, James Way and Annemarie Federle at St Mary's Parish Church, Haddington where their recording of Britten's Canticles ...
-
Sunwook Kim & Chamber Orchestra of Europe - Barbican Centre (Photo: Ed Maitland-Smith/Barbican Centre) Anna Clyne: Stride , Beethoven: P...
-
Martin Owen, Manchester Camerata, Gábor Takács-Nagy at the Stoller Hall (Photo; Rob Everett) When horn player Martin Owen and I met to chat...
No comments:
Post a Comment