Well, I've sent of the contracts (duly signed) so that the recording is almost signed and sealed - it won't be delivered, of course, until the recording sessions in April.
Usually I obsess about minor details rather than the big picture - in this case, the pitch of the organ (a bit higher than concert pitch), how much rehearsal the strings will need, logistics of getting the singers together.
But sending off the contract rather gave me some pangs. Primarily of course, whether anyone was going to buy the recording. I go through a similar crisis of confidence when writing longer works, I get part of the way through and start to feel that its all rubbish and why bother to continue. When dealing with writing music, the only way is forward and the solution is to press on and eventually I rediscover my bounce. If and when a piece is finished it gets put in the draw before being brought out again and I'm usually pleasantly surprised and rather like the piece.
Its going to have to be the same with the recording, onwards and upwards ignoring worries. Its not that I don't feel my music is worth recording, just that I tend to go through crises of confidence and am not the best promoter of my own work. Also, of course, its rather a long process from conception to delivery of the final recorded item. At the moment we are in the middle of the waiting period, looking forward to the actual sessions and hoping that arrangements work. More in due course!
Technorati tag:classical music
Wednesday, 24 January 2007
Subscribe to:
Post Comments (Atom)
Popular Posts this month
-
Having recorded a disc of motets by Francois Couperin (see my review ), Edward Higginbottom and the choir of New College Oxford have turne...
-
Britten: Albert Herring - Dan D'Souza, Caspar Singh - ENO 2025 (Photo: Genevieve Girling) Britten: Albert Herring ; Caspar Singh, Emma...
-
Gluck: Iphigenia in Tauris - Danny Shelvey (Orestes) & the Furies - Blackheath Halls Opera (Photo: Julian Guidera) Gluck: Iphigenia in ...
-
The Siege of Florence (1558) by Giorgio Vasari, Palazzo Vecchio, Florence San Matteo in Arcetri is the reddish building in the bottom left ...
-
Britten: The Rape of Lucretia - Jenny Stafford, William Morgan - English Touring Opera (Photo: © Richard Hubert Smith) Britten: The Rape of...
-
What about blowing the box to pieces: composer Eímear Noone on writing for video games, films and TVEímear Noone (Photo: Andy Paradise) Dublin and LA-based composer Eímear Noone is known for her scores for video games, films and TV. She re...
-
Hummel: Quintet, Bertini: Grand Sextuor; Sestetto Classico; MDG Reviewed by Andreas Rey (22 September 2025) Two large-scale chamber works fr...
-
Rossini: Ermione - Beth Taylor (Ermione) - Jakob Lehmann, Orchestra Révolutionnaire et Romantique at Cadogan Hall (Photo: Paul Marc Mitche...
-
Adam's Lament: Arvo Pärt at 90 - Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Tõnu Kaljuste - Barbican Hall (Photo: ...
-
Mozart: Zaide - Lea Desandre, Johannes Martin Kränzle, Pygmalion - Salzburg Festival (Photo: SF/Marco Borrelli) Mozart: Zaide oder der Weg...
No comments:
Post a Comment