Two Little Words; Felicity Palmer, Simon Lepper; Resonus Classics
Reviewed by Robert Hugill on Oct 4 2017 Star rating:
Eclectic charm from this recital by distinguished mezzo-soprano Felicity Palmer
This delightfully eclectic recital on the Resonus Classics sees Dame Felicity Palmer returning to song recitals after a gap of some years. Accompanied by Simon Lepper, Felicity Palmer performs songs by Michael Head, Marshall Palmer (her father), Alan Murray, Joseph Horovitz, Benjamin Britten, Manuel de Falla, Schubert, Brahms, Tchaikovsky, Madlein Dring, Stephen Sondheim, John Pritchett and May H. Brahe
Reviewed by Robert Hugill on Oct 4 2017 Star rating:
Eclectic charm from this recital by distinguished mezzo-soprano Felicity Palmer
This delightfully eclectic recital on the Resonus Classics sees Dame Felicity Palmer returning to song recitals after a gap of some years. Accompanied by Simon Lepper, Felicity Palmer performs songs by Michael Head, Marshall Palmer (her father), Alan Murray, Joseph Horovitz, Benjamin Britten, Manuel de Falla, Schubert, Brahms, Tchaikovsky, Madlein Dring, Stephen Sondheim, John Pritchett and May H. Brahe
Palmer, who is 73 (the recital was recorded in early 2015), still has a lively operatic career with performances of roles like Klytemnestra in Strauss's Elektra ahead. This disc seems to have been the result of a serendipitous collaboration with pianist Simon Lepper. Palmer's article in the CD booklet talks about the way they 'clicked', and it is clear that we have Lepper's encouragement partly to thank for this disc.
Many of the songs are included because they have personal links to Palmer and her career including songs by her father, though some of the repertoire is new such as Joseph Horovitz's scena Lady Macbeth. And there is only a limited amount of the classic song repertoire by Schubert and Brahms; Palmer admits that Schubert has always daunted her. But there is plenty of Russian song and she is clearly in sympathy with the style and the language, singing with a remarkable richness, depth and firmness.
The songs are arranged in thematic groups, first comes English song from Michael Head, Marshall Palmer, Alan Murray, and Carrie Jacobs-Bond's When you come to the end of a perfect day with cellist Gemma Rosefield. Then comes Joseph Horovitz's Lady Macbeth, new repertoire for Palmer but a piece whose strong subject matter and text based presentation particularly suits Palmer's style and her operatic background. A group of Britten and Manuel de Falla folk-song inspired pieces takes us to France and Spain, then comes Schubert and Brahms, then Tchaikovsky. finally a group of lighter pieces. Perhaps not so much lighter, as more text based as these include a delightful rendition of Madeleine Dring's Betjeman setting Song of a Nightclub Proprietress, and Stephen Sondhem's Losing my mind.
Whilst there is nothing valedictory about the recital's presentation or content, the title does rather give pause. 'Two little words' is the title of the final song on the disc, by May H Brahe, and the two little words in question? 'Goodbye, goodbye'.
The recital is undoubtedly eclectic, but makes for charming listening partly because Palmer always deals with the songs and the texts so intelligently. There is certainly not a boring track on the disc, though the ones which come over best are those which allow Palmer to really dig into the text. And Simon Lepper provides admirably flexible support throughout. Inevitably, Palmer's voice is not quite what it was, but the recording has captured an admirable firmness, flexibility and elasticity. And in songs where character and depth of emotion are at a premium, she really captures the imagination.
Michael Head (1900-1976) - Foxgloves
Marshall Palmer (1906-1994) - Music when soft voices die
Alan Murray (1890-1952) - I'll walk beside you
Carrie Jacobs-Bond (1862-1946) - When you come to the end of a perfect day
Joseph Horovitz (born 1926) - Lady Macbeth
Benjamin Britten (1913-1976) - La belle est au jardin d'amour
Benjamin Britten - Quan j'etais chez mon pere
Manuel da Falla (1876-1946) - El pano Moruno
Manuel da Falla - Nana
Manuel da Falla - Polo
Franz Schubert (1797-1828) - Das Madchen
Marshall Palmer - Das zerbrochenen Ringlein
Johannes Brahms (1833-1897) - Da unten im Thale
Franz Schubert - Romanze aus Rosamunde
Pyotr Ilyich Tchaikovsky (1840-1893) - Nyet tol'ko tot kto znal
Pyotr Ilyich Tchaikovsky - Noch
Pyotr Ilyich Tchaikovsky - Atchevo
Madeleine Dring (1923-1977) - Song of Nightclub proprietress
Stephen Sondheim (born 1930) - Losing my mind
John Pritchett - Siren Song
May H Brahe (1884-1956) - Two Little Words
Dame Felicity Palmer (mezzo-soprano)
Simon Lepper (piano)
Gemma Rosefield (cello)
Recorded in Britten-Pears Hall, Snape Maltings, 30 January-3 February 2015
RESONUS CLASSICS RE10199 1CD [62.33]
Available from Amazon.
Elsewhere on this blog:
- Re-Sung:Dylan Perez introduces his new song recital series - interview
- Rich rewards: Kurtag's complete music for ensemble and choir on ECM - CD review
- Good on paper: Bellini's Norma from the Met in HD - opera review
- Feast of piano teamwork: Two-Piano Marathon at the London Piano Festival - concert review
- Rare opportunity: Rameau's Dardanus from English Touring Opera - Opera review
- 30 years on and the charm holds: Jonathan Miller's production of Rossini's The Barber of Seville at ENO - Opera review
- Inspirations and loop pedals: Composer Tom Green on his new opera - interview
- Magnificently uncut: Handel's Giulio Cesare from English Touring Opera - Opera review
- Daring and original: Radical re-working of Purcell's King Arthur from Daisy Evans and the Academy of Ancient Music - opera review
- Middle of the road but far from boring: Mozart's Requiem from Winchester Collge - CD review
- Terrific performance: Damian Thantrey in Thomas Hyde's That Man Stephen Ward - CD review
- Double helping: chamber music by Michael Haydn, RVW, Alec Roth, Haydn, Thomas Ades, and Schubert in a pair of concerts from the Hatfield House Chamber Music Festival - concert review
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