The Leeds Lieder Festival runs from 1 to 3 April 2016, providing three days of lieder and song at Leeds College of Music, and the Howard Assembly Rooms, with the premiere of two festival commissions and lieder from an impressive range of performers, including the festival director Joseph Middleton. Mark Padmore (tenor), Roderick Williams (baritone), who is artistic director of this year's festival, and Julius Drake (piano) open things on 1 April 2016 when, along with actor Rory Kinnear, they perform Songs of the Sea a programme of songs and readings including music by Brahms, Britten, Coleridge, Eliot, Fauré, Hardy, Haydn, Kipling, Mendelssohn, Schubert and Tennyson.
Saturday sees a whole host of recitals, but with sensible gaps for sustenance (though one is a Coffee and Cake recital so you get to do both at once). There is a late morning concert from Katarina Karnéus (mezzo-soprano) and Joseph Middleton (piano) in Wolf’s Mignon Lieder, Wagner’s Wesendonck Lieder and songs by Sibelius, Nystroem and Grieg. In the afternoon, Nicky Spence (tenor) and Iain Burnside (piano) invite us to coffee and cake, with Britten’s Who are these Children, Finzi’s Farewell to Arms and the world première of Leeds Lieder commission Magic Lantern Tales by Cheryl Frances-Hoad, setting poetry by Ian McMillan. The evening concert is Songs to the Moon with The Myrthen Ensemble: Mary Bevan (soprano), Anna Huntley (mezzo soprano), Nicky Spence (tenor), Marcus Farnsworth (baritone) & Joseph Middleton (piano); a programme of duets and quartets by Schumann, Brahms, Fauré and Saint-Saëns.
On Sunday there is more coffee and cake with Christina Gansch (soprano) & Christopher Glynn (piano), in songs by Mozart, Mahler and the world première of Leeds Lieder commission The Just Form by Edward Rushton, setting Colin Rorrison’s translations of poems by Sophia de Mello Breyner Andresen. And the festival closes with Iain Burnside's Shining Armour based around Brahms’s Die schöne Magelone, his only song cycle, with Roderick Williams (baritone), Victoria Newlyn (as Clara Schumann) & Iain Burnside (piano)
There is also a programme of talks and walks, including a conversation with celebrated Dutch soprano (and president of Leeds Lieder) Elly Ameling.
Full information from Leeds Lieder website.
Thursday, 17 March 2016
Subscribe to:
Post Comments (Atom)
Popular Posts this month
-
Having recorded a disc of motets by Francois Couperin (see my review ), Edward Higginbottom and the choir of New College Oxford have turne...
-
Carl Heinrich Graun Carl Heinrich Graun: opera arias; Valer Sabadus, {oh!} Orkiestra, Martyna Pastuszka; Bayreuth Baroque Opera Festival at ...
-
London, ca.1740: Handel's musicians : Charles Weideman, Giuseppe Sammartini, Pietro Castrucci, George Frideric Handel, James Oswald; L...
-
Elgar: The Kingdom ; Francesca Chiejina, Sarah Connolly, Benjamin Hulett, Ashley Riches, Crouch End Festival Chorus, Hertfordshire Chorus, L...
-
David Allinson and The Renaissance Singers at Holy Sepulchre London, The Renaissance Singers is a chamber choir with a difference. One of Lo...
-
Handel, Corelli, Sammartini, Geminiani, Castrucci, Blow, Smith; Olwen Foulkes, Nathaniel Mander, Carina Drury, Toby Carr, Tabea Debus;...
-
Julian Chan The Royal Academy of Music’s Bicentenary Series on Linn Records offers industry-level recording experience and the chance to r...
-
The Stationers' Hall where Purcell's Hail, Bright Cecilia was premiered in 1692 Humfrey: O Lord my God , Blow: I was glad , Purcell:...
-
Manuscript score, signed by the composer and the performers of the premiere One of England’s greatest choral works, Elgar’s The Dream of Ger...
-
Love and Loss: Elena Firsova, Dmitri Smirnov; Rudersdal Chamber Players; OUR Recordings Reviewed 15 December 2025 The Danish contemporary m...

No comments:
Post a Comment